|UBER: INVASION No. 6, May 2017|
Disappointingly, this rare glimpse of Hideki’s tremendous power, which fleetingly includes his “complete annihilation of the city on foot”, is then followed by a seemingly cumbersome conversational piece between Miss Stephanie and Eamonn O’Connor, concerning the grisly fate of the American’s older brother. Set against the backdrop of Freddie Rivers “relatively humane euthanasia” of Dixie in a darkly foreboding wooden barn, this disconcerting, dialogue-heavy scene appears to simply repeat Razor’s ever-present doubts as to H.M.H. Colossus’ fate in Paris, as well as his own role in the fight against “the German battleships”, and strangely suggests that the title’s creator has swapped the two brother’s first names around; with both the super-powered adolescent and British scientist referring to the deceased “first Allied enhanced human” as “Eamonn” rather than Patrick?
Just as arguably frustrating to this title's 4,314 followers, must have been Gillen’s decision to conclude Issue Six of “Uber: Invasion” with General George S. Patton spending four entire pages contemplating whether his army is going to cross “the goddam Alps” and risk being ‘isolated and destroyed’. If the former music journalist’s previous scene didn’t smack of superfluous prevarication then this supposed ‘insight’ into the military thought-processes of “Old Blood and Guts” certainly is, and provides an incredibly dissatisfying conclusion to a comic book which primarily appeared destined to continue the series’ graphically gruesome depiction of an alternative World War Two.
|The regular cover art of "UBER: INVASION" No. 6 by Daniel Gete|