Blood Hunters #5 - Marvel Comics

BLOOD HUNTERS No. 5, February 2025

Whilst this final issue to “Blood Hunters” certainly seems to bring the brand new group’s battle against the Bloodcoven to a fairly satisfactory conclusion, it's probably a safe bet that some of this comic’s audience couldn’t shake off the impression that the twenty-page periodical was put together in a bit of a rush. Indeed, along with the creative team’s decision to employ two different artists to pencil the pulse-pounding plot for no obvious story-telling reasons, Erica Schultz’s script also contains arguably one of the oldest tricks in the game by having an upper-tier meta-human conveniently appear at the very last moment to salvage the day; “Does this mean you’ve healed from the damage Varnae inflicted on you..?”

Of course, the sudden appearance of Tyrone Johnson’s alter-ego could quite convincingly be explained by his close, emotional bond to Dagger, and the fact that just moments before Bloodstorm One detects his presence, poor Tandy Bowen was in a bit of a fatal fix. However, the shadowy teleporter’s direct interference rather disconcertingly suggests that this title’s lead protagonists were incapable of ever defeating The Structure’s elite group of vampires in the first place, and debatably causes such an end result to leave a rather unsatisfactory taste in the mouth.

Furthermore, the entire point of this five-part mini-series appears to have been equally as badly thought-out by its American author, with “Dagger’s super-powered blood” only seeming to give its drinker the ability to throw her infamous lightforce constructs at people. Gaining just such an ability may well appear immensely beneficial on paper. But when it’s welded by the likes of Dracula’s already formidably dangerous heavily-armoured clone, some readers will surely be questioning just whether all the time and trouble was in any way worth the somewhat second-rate reward..?

What does prove somewhat impressive though are Robert Gill’s pencils and inks, which for the most part do a prodigious job of depicting all the frantic action taking place within the Bloodcoven’s den in Brooklyn. Of particular note has to be the illustrator’s ability to show just how hard pushed Elsa Bloodstone becomes when tackling “the first of a line of vampiric shocktroopers utilized by Hydra's Department of Occult Affairs” in brutal hand-to-hand combat, as well as how disturbingly cute the monster hunter's newly acquired 'pet' cat appears, even when its attacking the odd grey-skinned thrall or two.

Writer: Erica Schultz, and Pencilers: Chris Campana & Robert Gill

Blood Hunters #4 - Marvel Comics

BLOOD HUNTERS No. 4, January 2025

Considering that this comic contains a rather bizarre scene in which Elsa Bloodstone sends Spider-Man away for his own ‘safety’, rather than have him help the already under-powered titular characters battle against the formidably strong Bloodcoven, it is hard to imagine many “Children Of The Night” enjoying Erica Schultz’s plot for Issue Four of “Blood Hunters”. In fact, there’s arguably quite a bit about the American author’s twenty-page narrative which doesn’t appear to make all that much sense as a logical storyline; “You are a waste of Unusual’s time creature.”

For starters, if Miles Morales is so desperately struggling to fight off some sort of overwhelming desire to drink blood due to all his team-mates’ open wounds, why isn’t the gore having a similar impact upon all the other vampires surrounding him, such as the cat Moggy..? This quite stark inconsistency appears to have been penned solely to ensure that the all-female group can subsequently be bested by Bloodstorm One and his cronies, and a helpless Dagger be carried off to a disused warehouse by her enemies.

To make matters debatably even more contrived though, the only reason Spider-Man is able to depart is because Ulysses Bloodstone’s daughter suddenly stops wanting to kill the Brooklyn-born teenager “who was bitten by a Genetically Altered Spider”, and surprisingly, temporarily sates his unhealthy thirst via the power of her Bloodgem. Such a dramatic reversal of the quite disagreeable woman’s attitude seemingly comes completely out of the blue, and also begs the question why the additional time she has bought Morales couldn’t have been used by him to batter the likes of Damascene and Smoke Eater, rather than swing away like a coward in the night..?

Likewise, a number of other manufactured moments are needed to implausibly fall into place to allow the Blood Hunters to locate their fallen friend, Tandy Bowen. Foremost of these is the decision by Dracula’s clone to simply have the three women tied up on roof-top and instantly be set free straight after the villains have teleported away. Just where the motivation for this compassion comes from is a real head-scratcher, considering all of the antagonists are mass murderers with a taste for blood. However, without this act of unconvincing clemency, there wouldn’t be any likelihood of a third act in which White Widow handily reveals she knows Dagger’s location because she bugged Cloak’s former partner beforehand.

Writer: Erica Schultz, Pencilers: Robert Gill & Chris Campana, and Inkers: Robert Gill & Cam Smith

Blood Hunters #3 - Marvel Comics

BLOOD HUNTERS No. 3, December 2024

Almost stupefyingly crammed full of sense-shattering action, mesmerising feats of demonic magic, and arguably more gore than you’ll ordinarily find in an “Rated T+” title, Erica Schultz’s storyline for Issue Three of “Blood Hunters” quite literally grabs its readers in an unbreakable neck hold and hammers them through an army of ravenous, mass-murdering revenants. Furthermore, the comic’s twenty-page plot does a terrific job in demonstrating just how deadly an opponent the villainous Bloodcoven can be when they’re not directly tackling the “Earth’s Mightiest Heroes” toe-to-toe, but rather a dysfunctional collection of the Marvel Universe’s more lower tiered crime-fighters.

Indeed, even “a vampirized Spider-Man” appears to be well out of his depth facing off against the likes of Cruel and a seemingly unstoppable horde of blood-drinking thralls, with only Hallows' Eve providing the titular team with any hope of victory whatsoever. Disappointingly, even this glimmer of light is eventually dimmed though, with long-time vigilante Dagger appearing to be the group’s surprising weak link, and so badly succumbing to the relentless undead assault surrounding her that she soon requires immediate medical treatment; “There’s a hospital twelve blocks away. I can swing her there fast.”

Fortunately, the decision to have poor Tandy Bowen’s brightly costumed alter-ego play the ‘patsy’ as opposed to non-powered White Widow, is easily overlooked in the face of the sheer carnage on show throughout this book, and many a bibliophile will doubtless have been physically worn out by the time Janine Godbe’s highly thematic bag of tricks sensationally brings the vampire army she is facing to a sudden, shocking end. Enjoyably however, this moment is simply the quiet before a (second) storm, with Miles Morales soon finding himself getting brutalised atop a New York apartment block whilst trying to protect a comatose Dagger.

Definitely providing all these pulse-pounding panels with plenty of dynamic life and “Wham” are Robert Gill’s pencils, which do a first-rate job in imbuing every blow with bone-breaking realism. In addition, the Billerica-born illustrator somehow manages to turn even the vampire cat Moggy into a believable combatant by sketching the stray animal doing its level best to outmanoeuvre Cruel’s tendril-like barbed wire projections.

The regular cover art of "BLOOD HUNTERS" #3 by Ema Lupacchino & Guru-eFX

Blood Hunters #2 - Marvel Comics

BLOOD HUNTERS No. 2, November 2024

Whilst it’s hard to say with any real certainty that Erica Schultz set out to make Elsa Bloodstone as utterly unlikeable as the American author could, she definitely appears to do just that with her writing for Issue Two of “Blood Hunters”. In fact, probably a fair few readers of this twenty-page periodical wanted the former “staff member of the Braddock Academy” to suffer a good beating or two at the hands of Miles Morales or Bloodstorm One's Bloodcoven, simply so the insufferable, holier than thou monster hunter could be taken down a few pegs; “I must say… I am disappointed with your performance…”

To make Dan Abnett’s co-creation even more unbearable though, once the self-righteous super-heroine does allow her bloated ego to once again get the better of her already questionable decision-making, and finds herself a captive of Smoke Eater, the member of the Midnight Sons quite outrageously thanks a wandering cat for rescuing her, rather than her true saviour – Spider-man. Such an utter disrespect for facts genuinely grates upon the senses, and arguably will leave many a bibliophile desperately hoping that Ulysses’ foul-mouthed daughter is ultimately abandoned by her team-mates for a far more agreeable character.

Quite possibly this comic’s only distraction from the selfish scoundrel comes with the intriguing Hallow’s Eve, who repeatedly demonstrates her bizarre ability to pull magically-enhanced masks from out of her scarlet-coloured saddlebag. These face-coverings really help add some extra surprises to the script, and despite being perhaps a little too gimmicky or contrived, definitely help lighten up an otherwise almost unbearably deplorable spotlight upon Bloodstone’s rude, all-knowing attitude towards anyone even remotely undead.

Furthermore, Robert Gill debatably does a first-rate job in depicting all of Elsa’s ill-placed misgivings, almighty lectures, and “all vampires deserve to be dusted” attitude with just the over-the-top conceit an onlooker would expect from some hot-headed show-off armed with a shot-gun. In addition, the artist’s layouts are great at imbuing scenes with either the confrontational stance or fast pace, pulse-pounding action which they require; most notably when Miles Morales sets aside any issues he has with his would-be-murderer to save her from another violent pulverising by Unusual of the Bloodcoven.

The regular cover art of "BLOOD HUNTERS" #2 by Ema Lupacchino & Guru-eFX

Blood Hunters #1 - Marvel Comics

BLOOD HUNTERS No. 1, October 2024

Proudly proclaimed by its New York City-based publisher as “the beginning of an epic new adventure” involving “Marvel’s newest team”, Erica Schultz’s script for Issue One of “Blood Hunters” certainly seems to live up to its hype due to the twenty-five page periodical’s pulse-pounding mix of roster rivalries and blood-sucking shenanigans. Indeed, the America author’s ability to almost immediately have Dagger and Elsa Bloodstone berating one another over the fate of the vampires which they catch is arguably one of this inaugural edition’s biggest highlights.

Similarly as intriguing though has to be the quite considerable spotlight shone upon Hallows’ Eve and her truly mesmerizing supernatural power to make magical masks. Apparently still exploring these abilities herself, the young woman dons the face of the original Wasp, and promptly takes the reader on an enjoyable trip down memory lane with Janet Van Dyne’s famous stings, and ability to quite literally grow into a full-thrown punch; “Damn limbo magic… Never know what I’m gonna get.”

“The first woman to write a Spawn book in the history of the franchise” is also rather good at penning the somewhat complicated power struggle occurring within the nefarious Bloodcoven since Bloodstorm One fully took charge following Varnae’s defeat. Dagger’s assumption that all the remaining pale-skinned vampires want their humanity restored is disconcertingly wrong, and this desire by some of the fanged despots to remain immortal at all costs establishes an enjoyably straightforward good versus evil stance between the two groups. In fact, in many ways it plays into Bloodstone’s somewhat erratic belief that the only good drinker of blood is a dead one – something which later causes Miles Morales’ infected Spider-man no end of problems when he becomes caught in the monster hunter’s crosshairs.

Rounding off this perfect publication are the layouts of Robert Gill, with colours by Rain Beredo, which do a first-rate job of showing just how dangerous the dark streets of Brooklyn can still be in the aftermath of Blood Hunt. Furthermore, the illustrator is very good at showing just how physically fast both the titular characters and their prey can move whenever they’re fighting one another, as well demonstrating some of the fascinating abilities of Blade’s former “super-vamps” – such as the sheer formidable bulk of Dracula’s heavily-armoured clone.

Writer: Erica Schultz, Artist: Robert Gill, and Colorist: Rain Beredo