Avengers [2018] #10 - Marvel Comics

AVENGERS No. 10, January 2019

Publicised as a “heroic 700th issue”, and shifting enough copies to make it the ninth best-selling book in November 2018, Jason Aaron’s narrative for “The Battle For The Right To Be Called… Earth’s Mightiest” certainly shouldn’t have caused much disappointment for its 77,715 readers. For whilst the oversized, thirty-two page periodical debatably plods along somewhat at the beginning as the Soviet Super-Soldiers are reformed under the leadership of Dmitri Bukharin - the newly appointed Minister of Superhuman Defence, and Steve Rogers makes it crystal clear to an agitated General Ross that “the Avengers don’t work for any [one] country”, its plot soon throws together a truly breath-taking roster of the Marvel Universe’s most formidable heroes and villains.

Indeed, it’s hard to imagine a more crowded confrontation this side of “Secret Wars” or “Civil War” than that depicted at the international undersea biosphere known as Hydropolis, as King Namor’s Defenders Of The Deep, the Avengers and the new Winter Guard all cataclysmically collide with one another over the future sovereignty of the planet’s oceans. Admittedly, some of the Sub-Mariner’s troupe, such as the Piranhas, King Crab and Manowar, aren’t widely regarded as some the Marvel Universe’s biggest hitters. But a battle which incorporates at least three deities, the Avenging Son, Captain Marvel, Iron Man, She-Hulk and Captain America should not be treated lightly.

In addition, almost all of this impressive cast are given a moment to shine within the Alabama-born writer's script, whether it be Perun and Chernobog’s fragile alliance swiftly breaking down over which is to strike Namor's final blow, the increasingly intriguing Red Widow monitoring her team-mates’ performance so as to recommend any terminations, or Ghost Rider’s utter astonishment at facing zombie sharks. Perhaps unsurprisingly however, it is Atlantis’ monarch who receives the greatest share of the spotlight, with Aaron penning the underwater hybrid as a complete homicidal maniac who openly threatens to kill Black Panther in front of the biosphere’s scientists, and even momentarily looks set to lethally attack his old World War Two comrade, Captain America; “I’m right here. Come kill me. Old friend.”

Adding tonnes of tension to these sense-shattering shenanigans are David Marquez and Ed McGuiness’ layouts. The London-born illustrator pencils some wonderfully impactive panels reintroducing this book’s audience to the likes of an ever-eager Major Mikhail Ursus and the fatalistic former KGB operative Bukharin. Whilst the famed “Superman” illustrator takes on the lion’s share of the work, piecing together an incredibly fast-paced patchwork of punches, kicks, shield throws and explosions, the majority of which occur with the combatants waist-deep in water.

Writer: Jason Aaron, Artists: David Marquez & Ed McGuiness, and Letterer: VC's Cory Petit

Avengers [2018] #9 - Marvel Comics

AVENGERS No. 9, December 2018

Whilst Bill Everett’s creation Namor has arguably always been portrayed as a holier-than-thou, pompous anti-hero, it is doubtful many within this comic’s 58,185 readers were expecting the paranoid Human/Atlantean hybrid to show quite such a lethal willingness to believe the worst of land-dwellers as he undoubtedly does in Issue Nine of “Avengers”. In fact, the King of Atlantis appears so determined to play the insane, homicidal arch-villain in Jason Aaron’s “The Defenders Of The Deep”, that it’s hard to reconcile the Alabama-born writer’s incarnation of the Sub-Mariner with that of the man who was once actually a well-respected member of this comic’s titular team; “This man is an invader in my realm. And invaders will no longer be tolerated. War Sharks. Finish him.”

Happily however, the Defender’s downward spiral into the darkest depths of his unstable personality provides this twenty-page periodical with some thoroughly memorable moments, including the truly sickening, cold-hearted murder of the hero Stingray, who was supposedly one of Namor’s “oldest friends from the surface world.” Walter Newell’s demise really is incredibly well-penned by the Inkpot Award-winner, with the hapless oceanographer being brutally beaten so mercilessly by the Scourge of the Seven Seas that even the horrifically savage Tiger Shark visibly blanches at its severity.

Somewhat less vicious, though just as surprising, is the Sub-Mariner’s apparent ability to hold off the latest roster of Earth’s Mightiest Heroes single-handedly. Marvel's First and Mightiest Mutant has always been one of the publisher’s more formidable powerhouses, especially when submerged, fighting beneath the waves. Yet his ability to withstand both Thor’s Asgardian hammer and Iron Man’s technologically-enhanced grip simultaneously is a stunning achievement, even if the underwater monarch’s strength has been additionally fuelled by “the power of righteous rage!”

Wrapping this tour-de-force up with a pleasing bow are David Marquez’s story-boards, which at times, such as Namor’s all-too brief tussle with the Black Panther, and the aforementioned gory demise of a hapless Stingray, are breathtakingly dynamic. Colour artist Justin Ponsor’s contribution to the murky ambiance of this comic’s deadly deep fathoms can also not be overstated, especially when the book’s sudden return to the bright daylight of the surface world will momentarily blind any perusing bibliophile whose eyes have become accustomed to the rich blue-greens of the Sub-Mariner’s domain.

Writer: Jason Aaron, Artist: David Marquez, and Color Artist: Justin Ponsor

Avengers [2018] #8 - Marvel Comics

AVENGERS No. 8, November 2018

Lacking any notable action whatsoever, unless any of this book’s 58,060 readers felt Captain America’s all-too brief training exercise with Roberto Reyes qualified, Jason Aaron’s somewhat sedentary storyline for Issue Eight of “Avengers” may well have struck many in its audience as being a rather lack-lustre affair when compared to all the sense-shattering shenanigans the eight heroes had previously experienced whilst battling the Celestials for the very future of Humankind. Indeed, apart from an intriguing flashback to the creation of the super-group’s new global headquarters at the North Pole and an off-screen battle aboard a whaling vessel “on the other end of the world”, little else arguably occurs within this twenty-page periodical apart from plenty of wordy-heavy discussions, disputes and disagreements.

Fortunately however, that doesn’t mean for a moment that the Alabama-born author’s narrative isn’t an enjoyable experience, with T’Challa’s exploration of the “desiccated, armoured corpse of an Alpha Celestial who died four billion years ago” posing all sorts of intriguing possibilities for future predicaments in its own right. Doctor Strange’s research into Jennifer Walters’ rocketing “Gamma counts” also looks set to provide the Earth’s Mightiest Heroes with some quite literal explosive exploits, especially if the increasingly strong She-Hulk continues to demonstrate her inability to keep her formidable strength in check as she does when angered by the Sorcerer Supreme’s suggestion to undergo “more testing before you return to the field.”

Of course this comic’s greatest hook though is the utterly barbaric killing of three Fish People who storm the aforementioned fishing ship in an unsuccessful attempt to reach its Bridge. Brutally gunned down for their impudence by the boat’s heavily-armed security team, and then distastefully suspended from one of its sides like any other dead catch of the day, the sudden arrival of a giant squid, alongside the “Avenging Lord of the Seven Seas” is such a truly pulse-pounding moment that it must have had any perusing bibliophile begging their local comic shop owner to pre-order this ongoing title’s subsequent edition with spirited sincerity.

Undoubtedly adding to the grand look of “Inside Avengers Mountain” is David Marquez’s artwork, wonderfully coloured by Justin Ponsor. The University of Texas graduate’s opening splash page depicting Ghost Rider driving up to Avengers Mountain is particularly well-drawn, and really helps put the technologically-advanced place’s sheer size into jaw-dropping perspective.

Writer: Jason Aaron, Artist: David Marquez, and Color Artist: Justin Ponsor

Marvel Two-In-One #2 - Marvel Comics

MARVEL TWO-IN-ONE No. 2, March 1974

Considering that many readers of Steve Gerber’s narrative for Issue Two of “Marvel Two-In-One” most likely bought the comic based upon its cover illustration’s very specific claim to feature a story with “Namor and Ben Grimm -- side by side in battle for a man’s life”, this nineteen-page periodical’s actual plot probably came as something of a disappointment to its audience in March 1974. For whilst The Thing and the Sub-Mariner do eventually “work in tandem for the nonce - - [to] defeat what seems to be a mutual foe”, the pair are portrayed as predominantly going about their separate day-to-day business until Namorita’s desire to protect the child-like minded Wundarr brings them together towards the very end of the book.

In fact, the Missouri-born writer seems infinitely more interested in penning some additional background for his co-creation from Beta Rigel, than he does pitting this publication’s lead characters against the extra-terrestrial robot assassin known as a Mortoid. And rather disconcertingly, the Will Eisner Comic Book Hall of Famer seems to have been scratching around for inspiration even for that, at least until he appears to have sought inspiration from Jerry Siegel and Joe Shuster’s origin story for Superman; “Hektu was our world’s greatest astronomer until that fateful day he went mad, insisting that our planet Dakkam was doomed - - That our sun would go nova, reducing our sphere to a cinder… He built a rocketship to take himself and his family away…”

Mercifully however, none of these quibbles stop “Manhunters From The Stars” from being a darn good yarn, with Namor in particular providing plenty of amusement on account of his infuriating pomposity. Believing panic “is but proof of his guilt” and that none may harm any person “under the protection of Namor and Atlantis” no matter where within New York City they may be, the human hybrid lurches from one misunderstanding to the next, perhaps inevitably ending up trading blows with the Fantastic Four’s strongest member in Times Square.

Providing plenty of prodigiously pencilled panels, not to mention an incredible amount of Namorita’s bare flesh, is Gil Kane, whose instantly recognisable style provides Ben Grimm with some phenomenally powerful punches as he batters away against the likes of Wundarr and the Sub-Mariner. Indeed, in some ways it is a pity that Gerber didn’t allow for this comic’s two central attractions to slug it out against one another for a while longer, rather than cut their violent hostilities short by depicting the pair siding together against a common alien foe.

Writer: Steve Gerber, Penciller: Gil Kane, and Inker: Joe Sinnott

The Immortal Hulk #26 - Marvel Comics

IMMORTAL HULK No. 26, January 2020

Predominantly focused upon a debatably dreary, word-heavy conversation between Bruce Banner and Amadeus Cho at Everett’s diner in Massachusetts, it is easy to see just why Issue Twenty Six of “The Immortal Hulk” saw its monthly circulation figure almost halve to just 45,522 copies within the space of a few weeks. Indeed, as comics about the nuclear physicist’s monstrously super-strong alter-ego go, this twenty-page periodical’s pedestrian-paced plot seems to be distinctly lacking in either pulse-pounding punch-ups or even the green goliath himself; “That could have gone better. I… didn’t lose my temper with him, did I?”

As an alternative Al Ewing pens a disagreeably long discourse concerning the titular character’s growing concerns about corporations failing to suffer the consequences of their actions, “the unsustainability of current human systems” and “human short-sightedness… currently being exacerbated -- manipulated -- for profit.” Intermixed with an equally lack-lustre array of cut-scenes featuring Doc Samson, Doctor McGowan, Roxx News broadcasters and a local radio show host, this conversational piece rarely gains any perceptible traction, except for a few fleeting panels where Banner’s disconcerting passion to become a terrorist seems about to trigger his famous transformation.

Fortunately however, the British author does manage to throw a few spicy ingredients into this publication’s rather bland bowl of goulash, with the revelation that Bruce has allied himself with none other than “Marvel’s first and mightiest mutant”, the Sub-Mariner. Namor’s continuous presence throughout this publication, subtly pencilled by Joe Bennett, is impressively handled, and the pointy-eared Atlantean’s eagerness to become “an excellent non-team” with the new incumbent of Shadow Base Site B rather excitingly harks back to the days when the New York City-based publisher featured the Scourge of the Seven Seas in its bi-monthly “Super-Villain Team-Up”.

Encouragingly, the former “Judge Dredd” writer also provides this book’s bourgeoning story-arc with a marvellously sinister main antagonist in the form of Roxxon Energy Corp’s CEO, Dario Agger. Imperiously stood before his cowering board members at the very summit of his company’s high rise headquarters, the Minotaur absolutely exudes villainous menace, especially when the "nine-foot man-bull who betrayed the Earth to elves" shockingly shatters the half-filled wine glass he was delicately drinking from just mere seconds before so as to simply emphasize a point.

Writer: Al Ewing, Penciler: Joe Bennett, and Colorist: Paul Mounts

All-New Invaders #1 - Marvel Comics

ALL-NEW INVADERS No.1, March 2014

As something of a devoted fan of the late Seventies “Marvel Comics Group” title “The Invaders” this was really something of a ‘must-buy’ comic book as it advertised the return of the original roster as created by Roy Thomas and Sal Buscema. Admittedly however the cover by Mukesh Singh is not the most enticing of illustrations as it depicts a painfully grim-faced Captain America, an unnervingly smiley Sub-Mariner and a grotesquely distorted Human Torch.

Fortunately British comic book artist Steve Pugh provides the artwork for the interior of the issue and very nice it is too. There’s a real sharp clean look to his pencils which works especially well with his drawing of the Human Torch and the somewhat oversized Kree Amazonian, Tanalth the Purser. However it is most definitely his ‘flash back’ panels showing the Invaders tackling Baron Wolfgang von Strucker and Hela, Norse Goddess of Death, during the Second World War which really provide a visual treat. Ably assisted by the subtly muted colouring of GURU-eFX.

Besides being well-drawn, Issue One of the “All-New Invaders” is also very well written, with James Robinson telling the story through the eyes (and mind) of Jim Hammond, the original Human Torch. Indeed such is the intimacy that one shares with the world’s first synthetic human, as he walks through the quiet town of Blaketon, eating pie and sipping coffee, that the interruption to his meanderings by a sudden Kree attack is all the more rude and impactive. I certainly found myself being quietly content simply reading about the mechanic going for a spot of lunch and enjoying Pugh’s detailed artwork.

Obviously such an idyllic lifestyle was never going to exist for long but the British writer really produces a shock moment with the appearance of Tanalth and the slaughter of Hammond’s garage-owning boss. It is really very easy to take an immediate dislike to the over-muscled Kree warrior, and Robinson makes it easier still by giving her an atrociously over confident and overbearing personality. In fact I can’t recall disliking a villain so quickly and so intensely, and became surprisingly desperate to see the Human Torch give Tanalth the beating her hubris so clearly deserved.

Equally I’ve not felt that a super-hero needed to get such a dramatic and final come-uppance as Major Liberty does when he feels the withering fatal touch of Hela. So much for the arrogance and excessive pride of a former history teacher who can summon up the ghosts of past American patriots.