Deadly Hands Of K'un-Lun #4 - Marvel Comics

DEADLY HANDS OF K'UN-LUN No. 4, July 2026

For those bibliophiles whose heads weren’t spinning following this comic’s opening summary of events, the book’s subsequent twenty-pages of almost endless kung-fu fighters and immortal weapons most surely will. Indeed, whilst the New York City-based publisher may claim that this issue of the mini-series is “its most epic chapter yet”, it is also arguably it’s most disorientating instalment too as Danny Rand pops up out of no-where to momentarily save the day and approximately “fifty Iron Fists” summon their inner chi to help the now one-armed Lin Lie transform into some sort of living armament; “Go, Pei, keep Shou-Lao’s egg safe!”

Of course, some critics of Yifan Jiang’s script may well point out that few readers will actually understand much, if any, of what the numerous plot-threads throws at them - such as just how the likes of Elektra (Daredevil) and the White Tiger ever joined the multi-dimensional fight to thwart Chiyou’s return to the Earth in the first place. But for those onlookers who enjoy simply being caught up in a publication-long, pulse-pounding punch-up, “Instant Karma” undeniably delivers and is well worth holding on tight for.

In addition, it’s hard not to get completely wrapped up in the writer’s enthusiasm for having so many of the Marvel Universe’s top martial artists battling it out against one another in a single title, even if the author’s numerous attempts to explain just what is going on via a plethora of text boxes falls significantly short of its purpose. The best thing for a reader to do really is to just let any semblance of sense wash right over them, and to merely enjoy the evident big bad guy’s apparent fall from grace once “Tiger’s faithful daughter’s necklace” is smashed into so many impotent, red-coloured beads.

Similarly as smashing as this comic’s scintillating speed and adrenaline-fueled action has to be illustrators Paco Medina & Alessandro Miracolo’s prodigiously pencilled panels, which bring life to so many different faces and figures. The pair somehow seem to miraculously imbue the entire cast of warriors within this book with both palpable emotion and convincing determination to succeed, as well as help push the audience along whenever the penmanship debatably doesn’t really manage to make it terribly clear just what is happening during a deadly tussle or encounter.

The regular cover art of "DEADLY HANDS OF K'UN-LUN" #4 by Leinil Francis Yu

Deadly Hands Of K'un-Lun #3 - Marvel Comics

DEADLY HANDS OF K'UN-LUN No. 3, June 2026

Considering just how many martial artists, Inhumans, Gods, and costumed crime-fighters are crammed into this twenty-page comic, some within this book’s audience probably couldn’t help but imagine the writer Yifan Jiang simply throwing as big a bucketload of characters at his manuscript as he could muster. True, this approach definitely provides a publication packed full of fisticuffs, karate chops and mystical machinations. However, it will also surely make the head spin of anyone actually reading it; “Juniors, well met! You… must be the new trainees! I am Pei, the sixty-eighth Iron Fist.”

In fact, it’s arguably wise for anyone perusing this periodical not to try and keep track of so many figures from the disconcertingly complicated lore of K’un-Lun, and simply allow themselves to be carried along by its incredibly violent, as well as pulse-pounding, storyline. Furthermore, despite the mini-series progressing a plethora of different sub-plots simultaneously, the central battle in Manhattan concerning Iron Fist, Elektra and White Tiger is clearly the author’s main focus, and certainly provides this adventure with a somewhat shocking conclusion.

What is also a bit of a pity though is that Karnak, “the Inhuman’s most powerful fighter”, isn’t given a little more ‘screen-time’ smacking Davos and his assassins around the Tower of Wisdom. Those bibliophiles old enough to recollect Jack Kirby’s design for the Advisor of the Inhuman Royal Family’s original costume might slightly balk at the man’s latest choice in attire. But that still doesn’t stop the thrill of watching him effortlessly kick and punch his way through a small army of highly inferior War Fists.

Easily this comic’s greatest asset is therefore the layouts of Paco Medina and Alessandro Miracolo, whose artwork immediately sucks in any onlookers even though this book’s opening scene comprises of little more than a disagreement between Danny Rand and the Egyptian deity Osiris in the Underworld. Of particular note has to be the way each and every body blow actually appears to reverberate upon their unfortunate target, as well as the exhilarating moment when White Tiger summons her Tiger God to manifest itself into a form somewhat akin to that of He-Man’s Battle Cat, and subsequently rides the giant beast into the very heart of battle.

The regular cover art of "DEADLY HANDS OF K'UN-LUN" #3 by Leinil Francis Yu

Deadly Hands Of K'un-Lun #2 - Marvel Comics

DEADLY HANDS OF K'UN-LUN No. 2, May 2026

Whilst there can surely be no doubt that Issue Two of “Deadly Hands Of K’un-Lun” is absolutely packed full of martial arts mayhem, Yifan Jiang’s script for the twenty-page periodical probably still serves as a good example of an author failing to provide his audience with any actual meaningful substance behind all the flash, bangs and wallops. In fact, despite many a fan inevitably enjoying the Inhuman Karnak giving General Davos a welcome beating at this comic’s very end, there isn’t debatably much else inside the book which will truly hook any perusing bibliophiles

By far this publication’s biggest problem is that the action takes place so fast that the narrative itself appears to repeatedly fail to inform any onlookers as to how or why the adrenalin-fuelled punch-ups are actually taking place – such as when Pei-Ya apparently decides to use Uncle Fooh’s Randall Gate 'off-screen' to transport herself and Ami to the City Outskirts of K’un-Lun. Admittedly, “one of the writers of the hit video game Marvel Rivals” does try to steer his ship by utilising the comic’s foreword to update any customers as to what supposedly occurred within this mini-series’ opening instalment. But such context is soon thrown aside once the dethroned ruler of K’un-Lun unsuccessfully attempts to assassinate her successor; “Did you really think it’d be that easy, Yu-Ti Sparrow..?”

Furthermore, it is not made particularly clear just why Lin Feng’s search for the last of Chiyou’s Soul Orbs has led his forces to New York, nor how they first encountered both Elektra (Daredevil) and the White Tiger. Instead, everyone is simply expected to hop aboard the violent bandwagon careening through Hell’s Kitchen, and just enjoy all the combatants exchanging super-charged attacks like it was an early episode of the 1989 Japanese animated series “Dragon Ball Z”.

Luckily, far more engrossing than Jiang’s penmanship is Paco Medina and Alessandro Miracolo’s artwork, which manages to convincingly convey the sheer physical violence needed for this somewhat senseless storyline. Of particular note has to be the sheer suddenness of General Davos’ aforementioned defeat at the hands of Karnak, and Lin Feng’s palpable shock at discovering that the next kingdom he needs to conquer is none other than that owned by the mighty Inhumans.

Writer: Yifan Jiang, and Artists: Paco Medina & Alessandro Miracolo

Deadly Hands Of K'un-Lun #1 - Marvel Comics

DEADLY HANDS OF K'UN-LUN No. 1, April 2026

Announced in November 2025 by “Marvel Worldwide” as a five-issue comic book limited series from “one of the creative minds behind the hit video game, Marvel Rivals”, this twenty-five page periodical probably appeared to be a bit of a mess when it finally landed in the hands of its customers some months later. Indeed, the publication’s opening, which contains numerous narrative word boxes in addition to all manner of fantastical fighters talking is genuinely hard to persevere through, as it is often hard to establish just which piece of dialogue (or narration) needs to be viewed next; “Their champion has fallen. The Chamber of Knowledge is ready for you.”

Furthermore, writer Yifan Jiang appears to almost ‘double-down’ on this multiple-voice technique by having the title’s hero, Lin Lie, not only talk to his fellow costumed crime-fighter White Fox whilst they’re battling some giant octopus at a local Seaside Aquarium. But also Pei, the former Iron Fist, via some covert communications network and directly to the readers too. Such a technique debatably makes it really difficult for any perusing bibliophile to focus upon any action taking place, and may well cause a fair few re-reads as well – especially when Ami Han is inexplicably replaced by a giant three-tailed animal which simply barrels the aforementioned eight-tentacled sea monster back into the ocean.

Unfortunately this ‘battle’ to understand just what is actually taking place even continues into this comic’s final act, when the author suddenly seems to throw the likes of Elektra (Daredevil) and White Tiger into the mix upon a Hell’s Kitchen rooftop. Supposedly also drawn to Neon Dragon’s “dark energy”, these street-level super-heroes add even more word-heavy speech balloons to the proceedings, and seem to have little purpose except to distract any onlooker from the momentous confrontation between the current Iron Fist and one of his evil brother’s top minions.

What does work absolute wonders though are Paco Medina’s layouts, which are crammed full of adrenalin-fuelled action and martial art manoeuvres. In fact, the illustrator is clearly at the very top of their game with this book’s pencilling, as they manage to repeatedly provide all the cast members with plenty of animated life – as well as the odd death, such as in the case of the brave yet doomed Fat Cobra.

The regular cover art of "DEADLY HANDS OF K'UN-LUN" #1 by Leinil Francis Yu & Federico Blee