|THE AMAZING SPIDER-MAN No. 22, March 2017|
Admittedly, Issue Twenty Three of “The Amazing Spider-Man” was probably viewed by its American author as something of a success, on account of the twenty-page periodical somehow finding itself as that month’s ninth best-selling title. But such a sudden rise in sales could arguably be justified by the book’s misleading Alex Ross cover illustration which implies the Jackal’s clone is about to reveal the costumed crime-fighter’s secret identity against his wishes, rather than as a result of the Berkeley-born author’s attempt to ‘pad out’ an entire comic with a dialogue-heavy argument set within the living room of Captain Stacy’s house.
Equally as disconcerting as the Eisner Award-winner’s insistence on putting words before action, is his frustrating premise to simply repeat many of the self-same events depicted within the “The Clone Conspiracy” mini-series, such as the Lizard harmlessly playing soccer with his young son and wife on a grassy lawn, Ben Reilly providing Peter with a tour of his ‘super-villain paradise’, and Parker finally convincing his cloned captor that he’ll never willing play a part in the Machiavellian manipulator’s great deception. These ‘duplications’, disappointingly two-dimensionally drawn by Giuseppe Camuncoli, make it painfully clear that rather than being a ‘stand-alone’ tale set within the “Dead No More” story-arc, this particular edition is nothing more than a rehash of Slott’s concurrently published Spidey-event and strongly suggests that Dan, despite frequent collaborator Christos Gage’s support, had run out of ideas to progress this particular adventure any further…
|Writers: Dan Slott & Christos Gage, Artist: Giuseppe Camuncoli, and Inker: Cam Smith|