Tuesday, 13 June 2017

Conan The Slayer #9 - Dark Horse Comics

CONAN THE SLAYER No. 9, May 2017
Wisely sticking predominantly to Robert E. Howard’s Thirties script, the success of this “Dark Horse Comics” adaption of “The Devil In Iron” arguably rests far more upon the shoulders of its artist than Cullen Bunn’s pen. In fact, the book’s weakest moment, when Conan stumbles across one of Khosatral Khel’s “shaven-headed priests” emerging from a secret tunnel and spouts a mercifully short-lived nonsensical soliloquy, appears to be the only time the Cape Fear-born author ill-advisedly steps markedly away from the adventure’s original text; “Is my fortune good or bad? Bad. Always bad. Except when it is not. Heh. And then it is worse.”

Fortunately, such a heavy reliance upon the pencilling ability of Sergio Davila is not, for the most part at least, misplaced, with the Spaniard’s rendering of the “deserted Dagor” reborn into a green-stoned city, proving to be a particular feast for the eyes. Similarly impressive, is the Cataluna-born illustrator’s rendering of Khel himself. Phenomenally physiqued, being more than a muscular match for the Cimmerian, the red-hued giant appropriately dominates every panel in which he appears and actually seems more formidably alive within Issue Nine of “Conan The Slayer” than he actually does on Howard’s printed page.

Indeed, considering that this particular instalment not only covers “the transmutation of the being men called Khosatral Khel” from out of the Abyss and his subsequent creation of the City of Dagon, but its bloody fall at the hands of its slaves, the Yuetshi as well, it is disappointing that the ancient demon isn’t given more ‘screen time’. Certainly the subjugation and subsequent revolt by the “fierce and brutish people [who] appeared on the shores of the sea” would have been a more interesting area for Bunn to explore, rather than his ham-fisted aforementioned attempt to depict Conan supposedly philosophising over his poor luck.

Sadly however, Davila does seem to struggle to consistently pencil the barbarian’s savage facial features, and resultantly, more than once portrays the incredulous adventurer as some sort of doe-eyed caricature that would not look out of place within the pages of a manga magazine. These momentary lapses are thankfully only occasional, yet disappointingly permeate the entire publication and only seem to disappear as the artist reaches the periodical’s epic conclusion when the Cimmerian hurls his sword point at Khel’s exposed chest and disbelievingly watches his blade shatter upon contact with Khosatral’s impenetrable flesh.
Script: Cullen Bunn, Artist: Sergio Davila, and Colors: Michael Atiyeh

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