CONAN THE BARBARIAN No. 1, August 2023 |
For starters, the sweeping scale of this book’s narrative begins typically small, with the experienced combatant simply swapping savage punches with a bullish craven, who ignorantly feels ‘right is might’ when it comes to ordering his men to die needlessly on the battlefield. This violent introductory scene firmly establishes Conan as being cut from the same imaginative cloth as his Texas-born creator would have wanted him, as well as quickly settled the nerves of any long-time fantasy fans that the franchise is in safe hands with the British publisher. In addition, the warrior’s legendary sense of honour is proudly proclaimed when he refuses to kill his “former mercenary captain”, despite the unconscious foe having just tried to gut him with a dagger in what had initially been a ‘fair’ fist fight.
As per Howard’s classic short stories though, the ante is soon ramped up in the guise of a mysterious Pictish scout who “rides in to warn the Cimmerians of an imminent threat on the march”. The shadowy background to this lone woman is nicely penned, and arguably leaves this comic’s audience immediately wanting to know more about her, even when a seemingly unstoppable wave of undead zombies suddenly hurl themselves at the inhabitants of Hauler’s Roam in a bloodthirsty, night-time frenzy; “Too late now. Heft a blade, you cowards!”
Just as sensational as this twenty-two-page periodical’s plot are Rob De La Torre’s incredible layouts, which appear impressively inspired by the two hundred plus publications of “Conan The Barbarian” pencilled by the late, great John Buscema, when the Hyborian Age adventurer’s licence was owned by “Marvel Comics”. The artist appears particularly adept at imbuing the wanderer with all the physical presence a reader would expect from the future King of Aquilonia, and certainly appears able to depict the odd lopped off head or limb whenever necessary.
The regular cover art of "CONAN THE BARBARIAN" #1 by Dan Panosian |
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