AMAZING X-MEN No. 4, April 2014 |
There is something slightly uninspiring about Issue Four
of “Amazing X-Men”. A palatable sense that the book’s creative team may well
have simply ‘gone through the motions’ when creating a comic that despite
shifting 48,161 copies in February 2014, still sold more than three thousand
less magazines than its predecessor. This palpable, disconcertingly apathetic
aura arguably starts with the twenty-page periodical’s rather bland, monochrome
cover illustration which, despite competently depicting an icily frozen
Wolverine crouched low in the snow with the svelte figure of Northstar stood
shivering some distance in the background, contains so much ‘empty-space’ that
it appears both decidedly unfinished and rather rushed.
This sense of haste does not unfortunately dissipate with
the publication’s interior artwork either, as Ed McGuiness’ ordinarily most pleasing
pencilling worryingly appears slightly ‘out of kilter’ courtesy of some
bizarrely amateurish-looking depictions of a heavily-fatigued Jean-Paul
Beaubier or an abnormally well-endowed Firestar heating up hell via the mutant’s
“ambient electromagnetic energy”. The American’s layouts also seem to contain an
unusually high number of large-sized panels and splash pages. Something which
invariably suggests there isn’t really all that much going on within the comic’s
script to keep the former “Superman/Batman” sketcher fully occupied. Why else
would the Beast’s battle with Kurt Wagner take an astonishing five pages just
for Storm to remove a demon-possessed sword from Hank McCoy’s back, or it then
require an equally lengthy sequence for the fuzzy elf to locate Angelica Jones
and Bobby Drake, and subsequently teleport them to safety?
Ultimately Jason Aaron’s substandard storyline would
appear to be based solely upon depicting the various X-Men finding one another in
the Underworld and forming a rather jovial crew for Captain Nightcrawler, so Dave
Cockrum’s swashbuckling co-creation can ready his ship and set sail to do battle
with his demonic father’s fleet in the story-arc’s concluding instalment; “I
dare say… I was born for this. Raise the flag, X-Men. And let’s go be amazing.”
Such an indolent placement of his playing pieces means there’s little, if any, real
substance to the contents of the Alabama-born writer’s narrative and all this
fourth chapter in “The Quest For Nightcrawler” is noteworthy for is its collection
of drawings portraying one of “the most recognisable and successful
intellectual properties of Marvel Comics” reacquainting themselves with their
former fallen member.
Writer: Jason Aaron, Penciler: Ed McGuiness and Inker: Dexter Vines |
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