GOTHAM BY MIDNIGHT No. 1, January 2015 |
It is clear, straight from the eerie and
distinctively Ben Templesmith cover art, that “DC Comics” want this particular
title to evoke a sense of supernatural foreboding and dread within its readership.
In fact I’ve seldom encountered a comic which is so rank with the effort to
portray a demoralizingly gloomy, dark and sinister world of the paranormal.
Certainly
the book’s writer, Ray Fawkes, would seem an obvious choice for the publisher
to have selected to script the storyline. Previously responsible for “Justice
League Dark” and “Constantine” the Toronto-based author clearly has something
of a pedigree when it comes to writing about ‘situations deemed unfit for
traditional’ police work. Fawkes also uses the tried and tested technique of
starting “We Do Not Sleep” from the perspective of an outsider to the Midnight
Shift; a sceptic from Internal Affairs whom the reader can relate to and accompany,
as Sergeant Rook encounters the various “…guys who handle the strange stuff” and
faces the horrors of their latest macabre investigation. There’s certainly
plenty of unsettling ‘spooks’ throughout this first issue with which to unnerve
the reader and these provide some genuine spine-tingling moments; especially as
Detective Corrigan and Rook approach Slaughter Swamp State Park and the Attwood
girls increase their frantic babbling in a long dead language.
Perhaps most
disconcerting (and thus successful) of all however is Fawke’s use of The
Spectre, which is masterfully underplayed despite there surely being the
temptation to attract attention to the title by ‘showcasing’ one of the most
iconic anti-heroes in the “DC Comics” universe. This story is predominantly
centred on the character of Jim Corrigan, the human host, and his ‘down to
earth’ fellow officers facing terrors from beyond the grave. It is not supposedly
a super-powered tale of the spirit of justice obtaining his vengeance upon the
criminal fraternity of Gotham City. As a result there’s a genuine vulnerability
to the fears and concerns of the cops in the story, including Corrigan, and that
simply adds to the unease of the reader as the supernatural events unfold.
All
of these happenings are reasonably well illustrated by Ben Templesmith. But the
Australian Comic Book artist’s scratchy, almost child-like scribblings, though
quite fitting and ghost-like for such a title as this, are only truly effective
because of his tremendously impressive application of colour to each panel.
Indeed his stark contrasting use of browns and blues for ‘safe’ and ‘sinister’
scenes, whilst superb at conjuring up a disquieting atmosphere of trepidation, arguably
demonstrates Templesmith’s creative abilities are far better suited to ‘one-off’
posters, trading cards and motion picture concept work, than for the ‘heavier’ multiple-panelled
pages of a comic book.
The variant cover art of "GOTHAM BY MIDNIGHT" No. 1 by Andrea Sorrentino and Marcelo Maiolo |
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