MOON KNIGHT No. 9, January 2015 |
It is somewhat hard to overlook the sheer stupidity of
Marc Spector’s behaviour in Issue Nine of “Moon Knight”. Having previously
stopped his therapist's hired assassin from murdering a visiting African dignitary, and then found himself being hunted by the American authorities because
she informed them as to how mentally unbalanced he is, the ex-mercenary decides to
visit the ‘good’ Doctor’s remote residence. But rather than attend in his guise
as the masked vigilante and seek retribution and revenge, the Fist of Khonshu
instead simply attends to undergo another session of hypnosis, almost as if
nothing has happened between the patient and his physician.
What then follows
is a bizarre 'dreamscape' within which the insane superhero holds a well-crafted 'couch' conversation with Wahalla and tries to dissuade her from attempting
another “extrajudicial killing” of General Lor. Ordinarily such a massively
heavy dialogue laden comic book would arguably struggle to fully immerse its
reader. But Brian Wood’s writing is extremely engaging and there’s a real naïve
desperation to Spector’s plea for his Doctor to let him help her so “we can
expose Lor together.” However having revisited the attack upon the psychiatrist's village and once again witnessed the military leader 'murder' her mother and sister, the former
marine’s appeal unsurprisingly falls upon deaf ears.
Disappointed in his
therapist’s refusal to change her mind, the American rabbi’s son makes it clear
that she won’t be able to recruit him to her cause… and that is when Wood’s
storyline takes an unexpected twist for the better as all the arrogance and
confidence of Doug Moench’s co-creation is suddenly sucked out from the
former Secret Avenger. For the physician has known all along that her patient
would never join her cause. But desperately needing allies, the hypnotherapist
has somehow managed to use their treatment session to convince Khonshu that she
is a “winner” and would prove a far better ‘fist’ than “some damaged man who
can’t decide whether or not to save a little girl from a murderous warlord.”
Equally
as jaw dropping as this comic’s conclusion is the wonderfully vibrant artwork
of Greg Smallwood and colorist Jordie Bellaire. Whether it be the cool white
sharply pencilled scenes set within the doctor’s cliff top sanctuary, the dark
blue and grey sweeping grandeur of the Valley of the Kings at night, or the
micro-panelled action-packed fiery orange pages of war-torn Akima, the
illustrations are almost worth the cost of this magazine’s cover price alone, and as
well-drawn as each page’s composition is well-designed.
Writer: Brian Wood, Artist: Greg Smallwood, and Color Art: Jordie Bellaire |
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