UBER No. 13, April 2014 |
One of the publisher’s “favourite characters in the
book”, this standalone issue of “Uber” “basically focuses” upon the deeds of former
Soviet Sniper and recent gulag escapee ‘Katyusha Maria’ after she is taken in
by a pair of elderly Ukrainian Kulaks deported to live in Siberia. As a result
this instalment of the “alternate World War Two” series is “not a bad one to
dabble in if you want to try” out the title, for although its narrative “touches
on the larger thrust” of the Axis and Allies independently developing their own
superhuman soldiers in 1945, “you don’t need any more knowledge than the
isolated farmers” who house the “errant god” in order to both understand and
enjoy the rather fantastical and grisly story.
Certainly as a twenty-two page periodical, which creator
Kieron Gillen has acknowledged as an edition he is “actually pretty fond of”,
this tale set deep within “the east of the USSR” must have made compelling
reading for its 7,653 readers in May 2014, as it both explores the ex-markswoman’s
“inexplicable Uber abilities” and just how harshly the Russian Government
treated large parts of its population during this period in its history. Indeed
the one-time British music journalist’s depiction of the arrogantly brutal Red
Army’s response to “Kolkhoz’s messiah” and the subsequent horrifically bloody
mutilation of its Manchurian tanks and “big men” at the hands of Maria is extremely
well-written; especially as the confrontation is told through the awe-struck
terrified eyes of Yuliya and Marat as they huddle together within the darkness
of their humble wooden home’s cellar.
Somewhat disappointingly however, the Stafford-born
author’s storyline doesn’t quite answer all the questions the sudden appearance
of his one-time Prisoner of War creates and most notably completely ignores the
fact that previously “The Manic Sniper” had actually lost one of her hands
during the Battle of Berlin. Equally as mystifying is Maria’s bizarre transformation
of soil into an edible “sweet” mud and just how she discovered her halo effect could
make such a miraculous conversion in the first place; “It’s what I’ve been
eating out there. Kept alive, just.”
The definite high-point of this comic however has to be
the superb, well-detailed artwork of Gabriel Andrade. The Brazilian’s meticulous
renderings of the harsh life on a Siberian homestead, coupled with his
gobsmackingly gory illustrations of dismemberment and evisceration, really help make Gillen’s wonderfully dramatic script ‘pop’ into animated life, page after gruesome page.
The variant cover art of "UBER" No. 13 by Gabriel Andrade |
This was a great issue. I've grown quite fond of Maria since she was first introduced a while back. We, the readers, are gradually learning just how powerful she really is. I would imagine that she simply regrew her missing hand as a result of her incredible powers. You're right about the artwork - it was both gory and impressive.
ReplyDeleteCheers Bryan. As you say great artwork and a nice script. I too assume she grew her hand back - so will the German battleship do the same for his arm? But I'd have thought Gillen would have provided some explanation for what happened. I'd certainly enjoy more issues like this one :-)
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