DOCTOR STRANGE No. 2, January 2016 |
Those 65,091 readers who bought Issue Two of “Doctor
Strange” in November 2015 must surely have been pleased that Jason Aaron had “campaigned
for a long time…” to become the writer of the Sorcerer Supreme’s “solo
spotlight”. For whilst more than a few of them doubtless got a little lost
within the twenty-page periodical’s somewhat overly-cluttered narrative, the Alabama-born
author’s general storyline provides plenty of thrills and spills as a suddenly
impotent master of the mystic arts tries to clear the Sanctum Sanctorum of Mind
Maggots, whilst at the same time keeping his latest ‘patient’ Zelma alive; “If
it’s perfectly safe, why do I need a sword? Just how dangerous are those little
monsters?”
This comic book’s action-packed plot also demonstrates just
how much genuine “interest in the character” the Goodreads Choice Award-nominee
has by providing Miss Stanton, and thus the audience, with an enthralling, occasionally
humorous, trip through the numerous rooms and floors of 177A Bleecker Street,
Greenwich Village, New York. Indeed, having explored a living room complete
with talking “snakes on your coffee table”, a bathhouse containing
interdimensional viral corpses, a haunted therapy room and the residence’s kitchen.
It actually comes as something of a disappointment for the engaging excursion
to come to an end in the library, courtesy of the former “preeminent surgeon”
trapping the parasites within his psyche and starving them to death.
Admittedly Aaron’s penmanship isn’t perfect, as Zelma’s disorientating
expulsion from the Library mid-comic attests. Just why an especially
stony-faced Mind Maggot hurling the Grimoire of Watoomb at the “young librarian
from the Bronx” seemingly transports her elsewhere within the house is never properly
explained and as a result it momentarily appears that the woman has simply been
knocked back out of the heavily-populated book-filled room. In fact it’s only
when the bespectacled academic stumbles upon a doorway to a world inhabited by
cannibal ape-men that the confusion is arguably cleared up and it becomes evident
she is in a completely different part of the building.
The success of this comic book also owes a lot to Chris
Bachalo’s incredibly detailed, and comically-timed, artwork. Whether it be his
wonderfully animated depictions of cyclopean, gangly-limbed interdimensional virus’s
running en masse throughout Stephen Strange’s home, or the brief glimpse of a
world which is littered with the bleached bones of the dead, the Canadian
illustrator imbues it all with vivacious vitality.
The variant cover art of "DOCTOR STRANGE" No. 2 by Alex Ross |
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