JAMES BOND No. 6, April 2016 |
Focussing almost exclusively upon the movements of its
titular character, this concluding instalment to “the debut storyline in the
all-new James Bond comic book series” certainly brings Warren Ellis’
multi-issue narrative to a thrilling, rather blood-thirsty end as the British
spy single-handedly storms a privately-owned battleship docked in Norwegian
waters and ultimately blows it up. But such a dynamic resolution disconcertingly, never actually explains what motivated Slaven
Kurjak to go to such extraordinary criminal lengths and put “a disease inside a
drug” in the first place?
In fact, even the secret serviceman asks his mortally
wounded foe as to just “why you did all this… The real reason. No
justifications…” at the very end of the twenty-two page periodical and rather
frustrating receives a nonsensical uninformative response from the bleeding villainous
mastermind about him wanting “to be happy with friends and doing beautiful
things.” It is little wonder therefore that the black-clad occasional assassin immediately
shoots the crook neatly through the head once he’s presumably finished talking.
Plot holes as to his heavy’s incentive aside however, the
Essex-born writer’s script for Issue Six of “James Bond” swiftly throws its 15,287
strong audience straight into the thick of things by having the former Royal
Naval Reserve Commander utilise the “Russian collapsible suppressed sniper
rifle” his Quartermaster has given him, and ruthlessly dispatch two of Vargr’s
land-based guards with grisly throat shots. Indeed it’s hard to imagine a more pitiless
cold-blooded incarceration of the main protagonist as the one Ellis has stalk
the corridors of the German-owned “live action role playing” vessel, indiscriminately
shooting men, women and unarmed laboratory technicians through the brains; “What
the hell is going on --”
Impressively all of this pulse-pounding action is
wonderfully illustrated by Jason Masters, whose pencilling of Bond furiously rushing
through the ship’s sparsely decorated walkways, dodging bullets and eliminating
his well-armed pursuers, quickly makes it evident as to why the comic pop
culture website “Comic Crusaders” described the publication as containing “strong
action pieces… full of pace and movement.” Certainly the South African’s
detailed panels depicting the fragmentation of the secret agent’s bullets as
they enter the heads, mouths and soft body organs of his victims are as insanely impactive
as they are arguably ghoulish.
Writer: Warren Ellis, Artist: Jason Masters, and Colors: Guy Major |
No comments:
Post a Comment