STAR TREK: BOLDLY GO No. 10, July 2017 |
Admittedly, the diminutively-sized aggressively paranoid alien provided Simon Pegg’s movie script with precisely the “sort of light-hearted episode” which the English screenwriter apparently wanted as an opening sequence, and the tiny creature’s inadvertent beaming aboard the USS Enterprise, followed by his subsequent attendance at Kirk’s birthday celebration, provided the flick with a modicum of digitally-rendered humour; "still no pants". But such a miniscule character was arguably always going to struggle single-handedly to entertain this title’s 7,804 readers, especially when the central plot revolves around the blue-shirted extra-terrestrial treacherously stealing a starship’s “central control stalk” in order to demonstrate his loyalty to Steve, the “Grand Audarch of the Teenaxi People.”
Indeed, as “bottle stories” go, Johnson’s narrative concentrates far too much upon its jokes, such as the Teenaxi Delegation foolishly believing that without its Captain’s chair a Constitution-class vessel is unpowered, and nowhere near enough on the tale’s straightforward logic. For example, why does Commodore Paris and Scotty immediately forgive Kevin and later actually still offer him a place at Starfleet Academy, when this entire comic has been about the alien abusing their trust in order to infiltrate the Yorktown’s security and criminally steal from the Federation?
Sadly, Tony Shasteen’s artwork for this inadequate adventure also proves somewhat substandard. The Art Institute of Atlanta graduate can clearly pencil some excellent-looking likenesses of actors Christopher Pine, Simon Pegg and Zoe Saldana, as well as the complexities of a partially-progressed starship. But as this book predominantly features Teenaxi, the illustrator is in the main ‘forced’ to simply sketch a seemingly endless carousel of similarly-shaped aliens, and their rather inedible meal-time “delicacies.”
The regular cover art of "STAR TREK: BOLDLY GO" No. 10 by George Caltsoudas |
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