Avengers [2018] #5 - Marvel Comics

AVENGERS No. 5, September 2018

Sticking to its reasonably straightforward revelation as to “the startling secret of the Progenitor”, Jason Aaron’s script for Issue Five of “Avengers” must have provided many within its 55,850 strong audience with a thoroughly enjoyable reading experience, which not only parades the increasingly irritating Loki trussed up like a chicken inside the trunk of Ghost Rider’s modified 1969 Dodge Charger. But also staunchly shows an entrapped Captain America bravely blindsiding the God of Mischief with an eye-watering head-butt and boot to the jaw despite being held captive some leagues beneath the icy waters of the North Pole; “You really love to hear yourself talk, don’t you? But who’ll be around to listen once we’ve all been fed to space bugs?”

Delightfully, it isn’t just the star-spangled World War Two veteran who provides “The Secret Origin Of The Marvel Universe” with plenty of punch either, as the Alabama-born author pens plenty of entertaining moments for Flag-head’s team-mates too, most notably Roberto Reyes, whose ability to resurrect a fallen celestial as a giant-sized fiery “All-New, All-Different” incarnation of Eli Morrow’s spirit really helps bring this publication to a jaw-droppingly good cliff-hanger. Indeed, the Inkpot Award-winner manages to imbue his narrative with several such stand-out scenes, like She-Hulk amusingly admitting that Thor and her were busy “smashing and kissing”, Ghost Rider’s human alter-ego having doubts as to whether he’s “more than a car”, Doctor Strange confronting Loki as “the [true] Sorcerer Supreme”, and Tony Stark demonstrating his vast wealth by summoning “the Godkiller Mark II” from where he keeps it “parked on Mars for eventualities such as this.”

Of course, none of these scenes would be anywhere near as fun or impactive if it wasn’t for the vibrantly dynamic artwork of Paco Medina and Ed McGuinness, whose intermingled storyboards are all superbly brought together into a beautifully blended feast for the eyes by David Curiel’s colours. Certainly, it’s hard to imagine a more moving death scene than that of “the first Celestial to ever set foot on the Earth” as the “omnipotent space god”, overcome by a “nasty infection”, pitifully sinks to its knees in its death throes and spews out a disgusting, oil-slick like substance from its maw, only to then have its submerged, partially decayed corpse be revisited four billion years later by Steve Rogers…

Writer: Jason Aaron, and Artists: Paco Medina & Ed McGuinness