THE FORGOTTEN QUEEN No. 1, February 2019 |
Happily however, the former winner of the “Top Cow” Talent Hunt has clearly done a lot of research before penning this publication, with her love of history imbuing the book’s narrative with a genuine sense of realism which never appears to directly interfere with the natural course of historical events. Instead, the “recently inducted Marvel exclusive writer” shows the nefarious titular character simply standing on the sideline as Temujin unites the Northeast Asian nomadic tribes together, only occasionally inspiring the primal fire within his kingdom’s army "to lift a blade" and fight like demons.
For those bibliophiles more interested in Vexana’s modern day shenanigans though, Howard also does a first rate job of depicting the Research Vessel Lohengrin’s deep-sea exploration of a submerged cave system, located somewhere in the wide, unmarked middle of the Pacific Ocean. This tense, understandably claustrophobic sequence, beautifully intertwined amongst the War-Monger’s aforementioned past experiences, provides the publication with a genuinely riveting primary plot-thread as veteran research diver Erik Zafiropolous encounters something far more deadly beneath the waves than an exceptionally aggressive sperm whale which suspiciously collides with the archeological expedition’s ship.
Similarly as successful as Tini’s script are Amilcar Pinna’s sensationally-sketched storyboards, which show an incredible attention to detail, especially when used to draw the instantly recognizable Mongolian armour, complete with its hardened leather plates and lacing. Indeed, it is clear from just the Brazilian artist’s opening panels, which add some considerable menace to a supposedly routine dive, just why his illustration work was described by Howard as having “a kinetic energy to it that I couldn’t possibly have expected. Some of his pages are so dynamic it feels like they’re moving, and yet…”
The regular cover art of "THE FORGOTTEN QUEEN" No. 1 by Kano |
No comments:
Post a Comment