THE MEAN ARENA VOLUME ONE: ALL TO SLAY FOR, March 2021 |
Interestingly however, despite this pulse-raising romp towards the old Saints Soccer Stadium arguably portraying the Slayer as actually being even more of a cold-hearted killer than the players and officials he has vowed to hunt down, “the longest-running writer of the popular football-themed strip Roy of the Rovers” still somehow manages to make the central character somewhat sympathetic to the reader. This quite disconcerting feeling is probably in part due to the sheer sense of poetic justice the storyline’s road takes as the audience discovers just how Jaws Jensen got rid of Port Vale Pirates’ Paul Simpson by messaging a bunch of crazed Southampton followers to mercilessly ambush the player when he was isolated and without help.
The fact that Tallon manages to almost engineer a similar fate for the Sharks’ captain somehow allows the anti-hero to seemingly get away with badly breaking both the game rules and the actual law. Indeed, by the time an absolutely terrified Jensen is ruthlessly dispatched by a “gun-happy old codger” who simply refused to leave his shop unattended during the match, many bibliophiles were probably elated at Matt’s nefarious actions, even though the star Striker had clearly conspired with a bunch of brainless thugs to commit premeditated murder.
Sadly however, this cataclysmic conclusion does contain something of a sole disappointment following John Richardson’s replacement as Art Robot by Johnny Johnson for the very last part. What with Steve Dillon pencilling the aforementioned interlude spotlighting Venner, this substitution means that no less than three different artists end up sketching four successive instalments, and despite Johnson’s similarity in style to his predecessor, definitely jars the mind away from Tully’s storytelling.
Script Robot: Tom Tully, and Art Robots: Steve Dillon, John Richardson & Johnny Johnson |
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