SHADOWMAN No. 6, February 2022 |
Leading the charge for this book’s compelling narrative is the premise that the titular character has been drawn to a long abandoned sanatorium outside Dennings, Missouri, following reports of “innocent people” being abducted by some utterly insane surgeon who has subsequently been “offering their mutilated corpses up as hosts to Deadside demons.” This chilling concept by the Cape Fear-born writer will debatably send literal shivers down the audience’s spines and makes Jack Boniface’s battle against overwhelming odds even more petrifying, as it’s clear just what the so-called false priest’s ghastly fate will be should he be unsuccessful in his escape and have the Loa ripped from his flesh by his grisly-looking assailants.
Perhaps this publication’s biggest draw however, is the return of the “British magic-user” Punk Mambo, who quickly makes her mark upon the adventure by momentarily outwitting Shadowman’s all-powerful adversaries with the spectral smoke from a Ghost Lantern. Smart-mouthed and as sassy as ever, the Mohawk-sporting rocker with a penchant for Voodoo magic not only helps show just how out of their depth the likes of Alyssa and her friends are with their “fancy torches”, but also strongly suggests that Boniface himself may well be unlikely to succeed against the personification of the Deadside alone.
Undeniably helping all these terrifying trials and tribulations with his top-tier pencilling is Pedro Andreo, whose sketches of the sewn-up victims of the aforementioned homicidal physician are genuinely the stuff of nightmares. In addition, the artist somehow manages to imbue Victoria Greaves-Trott with all the physical feistiness fans of Peter Milligan’s co-creation would expect, especially when a supposedly disinterested Mambo is cajoled into helping Jack by the ghost of Marie Laveau.
The regular cover art of "SHADOWMAN" #6 by John Davis-Hunt |
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