DC VS. VAMPIRES No. 2, January 2022 |
Arguably foremost of this comic’s biggest thrills however, is the way in which the treacherous Hal Jordon goes about his business slowly murdering any meta-humans who might pose a threat to his mysterious master’s grand scheme for planetary conquest. This book’s opening is a great example of this, where the Green Lantern savagely “kills the powerful necromancer Anton Arcane” without a moment’s hesitation, and does a terrific job in setting up the writing duo’s shocking conclusion when the merciless, ring-powered vampire fatally ‘sucker-punches’ his long-time friend, the Flash.
Enjoyably though, “Blood And Sand” isn’t just about depicting a chilling escalation in the destruction of the Justice League either, but also incorporates some distinctly dark moments of comedy too. No readers could be blamed for literally laughing out loud when Oliver Queen nonchalantly reveals Everyman to be a creature of the night much to the aghast astonishment of Star City villains Brick, Cheshire, and Cupid. Whilst young Damian Wayne’s suddenly violent outburst when he believes his father has poisoned his hot cocoa with holy water is masterfully penned.
Complimenting all these well-authored antics are Otto Schmidt’s layouts, which do a truly tremendous job of illustrating all the drama taking place within the “DC Comics” universe, such as when Barry Allen suddenly realises that his fully-trusted comrade-in-arms means to slaughter him. Yet the Siberian-born artist also does a stellar job in pencilling the emotional impact of this sweeping storyline’s events upon the likes of a tearful Wonder Twin Jayna, who is very concerned over her sibling Zan since he went missing several days ago.
The regular cover art of "DC VS. VAMPIRES" #2 by Otto Schmidt |
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