SHADOWMAN No. 8, April 2022 |
Furthermore, the Cape Fear-born writer doesn’t simply resort to relying upon this series’ anti-heroes unconvincingly summoning up the power to topple a seemingly undefeatable foe from within, but takes the opportunity to demonstrate the competing politics which are at play amongst the Valiant Universe’s nefarious deities instead. This decision by the ‘powers that be’ not to resist having their supernatural sovereignties temporarily siphoned away into the likes of Punk Mambo and the Abettors, definitely helps establish the unified, fictional world which the New York City-based publishers are trying to create across their various book titles, as well as provides the storyline with a ‘believable’ explanation as to how Jack Boniface’s alter-ego can suddenly wield such god-like abilities.
Equally as engaging is the notion that despite all this non-corporeal clout, Shadowman’s victory over the Deadside is far from assured. In fact, this comic’s already palpably tense atmosphere is distinctly raised a notch or two higher once some of the more formidable blights return to their home world so as to confront Victoria Greaves-Trott and the British magic-user’s friends for a final time; “Oi! Darque! Over here! Like the bauble? I believe you were trapped inside for a bit, yeah? Well, mummy’s cross with you. And I’m sending you back to your room!”
Also providing plenty of additional flourishes to this book’s storytelling is Pedro Andreo, who does an incredible job of cramming a planet-wide invasion of horrible, nightmare-inducing monstrosities within the confines of a single publication. The Spanish illustrator’s redesign of the Abettors once they have become invested with the powers of the Gods is a particular highlight, as is the artist’s pencilling of Mambo’s aforementioned battle with “the world's most powerful necromancer” and his hordes of multi-toothed minions.
The regular cover art of "SHADOWMAN" #8 by John Davis-Hunt |
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