DAREDEVIL No. 1, September 2022 |
Perhaps the most eye-catching scenes though, are those involving your friendly neighbourhood Spider-Man - who both webs his way into an altercation between the Man without Fear and Butch Pharris, as well as accompanies the costumed acrobat on a nocturnal rendezvous with Hammerhead’s criminal organisation. Oozing an almost palpable aura of desperately restrained savagery in their conflict with Wilson Fisk's son and the opposing sides' subsequent stand-off, these extremely tense skirmishes are perhaps only slightly marred by the brevity of their actual coverage in the comic book.
Given much more 'screen time' is a genuinely depressing demise of a man who is cold-bloodedly shot simply for being in the wrong place at the wrong time, and then Robert Goldman’s aforementioned revelation as some all-powerful 'angel' who plans to look out for the blind lawyer. Pencilled by “superstar collaborator Marco Checchetto”, these events undoubtedly come as something of a surprise to the reader and set-up a captivating confrontation between the two former attendees of Columbia University which helps end the publication with a bit of a bang.
Similarly as sense-shattering is this comic’s secondary tale, “The Island”, featuring Elektra Natchios and Stick. Energetically sketched by Rafael De Latorre, and depicting the two martial arts experts initially tackling a heavily-armed contingent of Soviet Special Forces, before they turn upon each other. This ten-pager is debatably perfect in its mixture of adrenalin-fuelled action and tantalising mystery as to just why Murdock plans to build a secret base in the middle of nowhere.
The regular cover art to "DAREDEVIL" #1 by Marco Checchetto & Matthew Wilson |
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