ROCKET RACCOON No. 5, January 2015 |
There’s a genuine
sense of the master handing over the baton to his pupil with Issue Five of “Rocket
Raccoon”, and an uneasy sense of foreboding as well. Much of this wariness
stems from a single, easily missed change to the credits which top the comic
book’s title page. For instead of just ‘Young * Beaulieu’, a pairing which has
produced four cracking previous editions and essentially guarantees more of the
same, this issue includes the additional name Parker… and it is smack bang in
the middle of the line-up where the artist usually sits.
Turning the page, something which is
easily done considering the unusually poor Skottie Young cover art, it is all
too clear that illustrator Jake Parker is indeed ‘in the chair’ as the penciller
for “Storytailer”; albeit Young still gets a co-credit as a result of sketching
three pages for the story. In fact the presence of the Inkwell Award winner
permeates throughout the book’s twenty pages, and not just because the American
is the writer. Parker’s artwork is uncannily similar to Young’s, so much so
that when the animator takes over the reins from page three it would be all too
easy to miss the transition… for a handful of panels at least. As unfortunately,
despite a very brave effort, Parker fails to maintain the zany yet superbly
detailed artwork of his predecessor, and quickly degenerates into drawing something
more akin to that seen within a Hannah-Barbera magazine than a “Marvel
Worldwide” monthly.
It is clear that the Editors were equally as sceptical about
the quality of Young’s replacement, despite his style so closely resembling
that of the former “New Warriors” (2006) artist. Otherwise it is doubtful that they would
have ensured Young’s artwork bookends the comic so cleverly. Although the switch
back from Parker, whose final panels look awfully rushed and are frankly
appallingly drawn, is far from smooth and inconspicuous.
Disappointing though
the majority of the artwork is, sadly the comic book’s storyline is probably even
more substandard despite Young attempting something rather clever and original.
Written from the perspective of the anthropomorphic raccoon’s constant
companion Groot, the simple plot is based around the Guardians of the Galaxy
dispatching Rocket to the ‘four corners of the universe’ in order to spring a
surprise party upon him.
However as the Monarch of Planet X is the storyteller,
all anyone ever says is “I am Groot.” As a result the comic is a frighteningly fast read, for without Young’s superior illustrations and acute sense for depicting
screwball action, there is nothing to hold the reader’s eye as it flits from
panel to panel, page after page, faster and faster, as Parker’s artwork appreciatively
deteriorates.
The variant cover art of "ROCKET RACCOON" No. 5 by Jason Latour |
Not the art style I imagined for him.
ReplyDeleteIt was okay... and Parker was certainly better than the illustrator who followed him. The series was cancelled in May 2015... and has been replaced by "Groot" instead ;-)
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