THE MERCENARY SEA No.2, March 2014 |
There’s
a definite early Twentieth Century motion picture feel to Issue 2 of “The
Mercenary Sea”. It is not just the fantastically dynamic cover art by Matthew
Reynolds which depicts a Japanese Zero Fighter strafing Captain Harper’s
submarine; a front page illustration which certainly wouldn’t look out of place
plastered to a bill board with the name David Niven or Gregory Peck headlining a
war-time thriller. But the artist’s blatant characterisations of some of that
cinematic period’s most famous film stars.
The hapless portly padre is
instantly recognisable as the actor Robert Morley, presumably fresh from having
filmed the 1951 adventure film “The African Queen”. Whilst Captain Tono,
grim-faced and stern-looking, is undoubtedly inspired by Toshiro Mifune’s
extraordinary performance in “Hell In The Pacific”. There’s even a cameo by
Jack Watson as Sergeant Lee, straight from “The Wild Geese”. However perhaps
most successful is Reynold’s depiction of Commander Graham, who is a ‘dead
ringer’ for actor Vincent Price; something which immediately provides the mysterious
military officer with an atmosphere of distrust and suspicion.
Technicolor
artwork to one side however “Red Sails At Sunset” also boasts a reasonably
successful action-packed storyline; which writer Kel Symons only disappointingly
fails to maintain towards the comic book’s final third. Certainly the issue’s
opening few pages are especially enjoyable with the tension between the
ex-bootlegger and his crew’s would-be Chinese captors being quite palpable
before their subsequent battle over the surface of “The Venture”; an action
sequence which is not only very well written, but paced and drawn by Reynolds.
Unfortunately once concluded both the plot and speed of the storyline does
significantly, and detrimentally, slow down. There’s some nice interplay
between Harper and his crew in the aftermath of their ‘gun-fight’ with the
Chinese. But the dialogue steadily increases as each page is turned and events
finally become unnecessarily bogged down under the sheer weight of words being
exchanged between the German U-Boat’s captain and his supporting cast. Only at
the book’s very end does Symons turn back up the suspense dial, as Harper is
betrayed and the Japanese navy mobilised to intercept him.
Writer: Kel Symons, Art & Colors: Matthew Reynolds and Letterer: Pat Brosseau |
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