ARKHAM MANOR No. 4, March 2015 |
There are times when the Dark
Knight must remove his signature cape and cowl, and adopt the guise of the World’s
Greatest Detective, using all of his vast analytical skills in order to
discover, determine and decipher clues. Gerry Duggan’s storyline for the
previous issues in this series have shown just such a need as a heavily
disguised Batman, arguably at his methodical best, has stealthily secreted
himself away within the shadows of Wayne Manor in order to identify a murderous
serial killer.
“Out Of The Cold” however clearly portrays a time for the clandestine
Caped Crusader to forgo any semblance of furtiveness as he must openly combat the
threat of Clownface before the malleable menace murders both the staff and its
fellow “Arkham Manor” inmates. Fortunately ‘Jack Straw’ is not alone in
recognizing the “Clayface fragment” as a terrifying threat, and is joined in
his endeavors to incarcerate the monster by the frosty internee Doctor Victor
Fries. What follows is a reasonably straightforward team-up between the
billionaire’s undercover alter-ego and Mister Freeze, but one in which for a
change, the American author has the Bat playing the role of a lure and the
molecular biologist as ‘the brains’.
Interestingly, this semi-mad dash through
his ancestral home, also see the Dark Knight permitting some of the less dangerous
Arkham inmates, such as Sybil Silverlock, to escape the prison rather than
distract him from his more immediate task of stopping the potentially
‘Jokerized’ shape-shifter. This logical rationalisation and rather cold
calculatingly prioritisation of threats even extends later to Fries himself, as
rather than ‘burn’ “the Jack Shaw mask” Bruce allows the supervillain to depart
Arkham with a ‘friendly’ “Nice working with you." This “lesser of two evils”
also allows Bob Kane and Bill Fingers’ co-creation to return to the Batcave and
once again don the ‘Mantle of the Bat’ just in time for one final confrontation
with the homicidal “spider inside the Manor.”
The majority of this fast-paced
action-orientated issue is drawn by Shawn Crystal with his usual competent,
though kookily awkward-looking pencils. In fact the Atlanta artist’s odd and
angular illustrations really convey a sense of the dramatic to the proceedings,
especially when depicting Jack Straw racing through the corridors and rooms of
the reformatory. Only occasionally does his work appear misshapen enough to jar
with the sensibilities, such as when a female prisoner is being squashed to
death by Clownface at the book’s beginning or Freeze’s robot is wantonly destroyed.
Writers: Gerry Duggan, Artist: Shawn Crystal, and Colors: Dave McCaig |
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