INJECTION No. 3, July 2015 |
Considering that the “Image Comics” advertising strapline for this third instalment of “Injection” concludes with the wording
“Civilization is dying and only five people know”, many readers would arguably
expect a good deal of action to take place within the book’s twenty-pages in
order to thwart such a global predicament. Disappointingly though, besides an utterly bizarre double-splash sequence where the narrative’s ‘not cunning man’
somehow banishes a gigantic Treeman, nothing of any note actually happens at
all…
Such a dissatisfying experience is undoubtedly due to the
fact that Warren Ellis literally fills the entirety of the magazine’s opening
half with Professor Kilbride's slightly fraught "pixies" telephone conversation with her former colleague Robin Morel. In fact this periodical contains little else but
dialogue-heavy scenes, as the English author scripts Brigid Roth cursing as
Simeon Winters attempts “to arrange an in-person consultation” with her, Maria
‘chit-chats’ with “the new Dispatch”, a colourfully-dressed Indian woman who
needs “to pass an interim report on to Control”, and the title’s “esotericist” argues with his group’s resident secret agent during a somewhat lengthy ‘bygone scene’
back when the “weird think tank” was still in operation.
Admittedly in this title’s pre-publication press release
the Eagle Award-winning writer forewarned his many fans that this comic would
initially simply establish “the world and its problems” and focus upon the
development of the storyline’s main protagonists. Yet in doing so it is also arguably
clear that this comic’s creators are not producing a well-paced narrative which
is readily followable as a regular monthly magazine series. But instead as
“five planned volumes” of trade paperbacks.
Fortunately this periodical is at least pleasing to the
eye with Declan Shalvey producing some quite wonderfully illustrated moments.
In particular the artist’s transformation of Morel’s cheap hotel room into a
dank, misty woodland, complete with shadowy observers, startled crows and
abundant trees, is incredibly well rendered. The former “Thunderbolts” penciller even goes so far as
to slowly represent tiny leaves working their way up Robin’s room phone cable
as the duration of his call with Kilbride increases. An especially impressive
demonstration of the artist's ‘attention to detail’ which seems to genuinely show just how “delighted” the
Irish inker is “to be continuing the creative relationship I’ve established
with Warren [Ellis] and Jordie [Bellaire]”.
Unfortunately not everything is as well drawn however,
with Shalvey’s infinitely less-detailed flashbacks depicting the “five crazy
people” who “poisoned the Twenty-First Century” considerably jarring with the
majority of this issue’s artwork. Such a disappointing contrast is especially
noticeable when these lack-lustre, blandly-hued panels are intermixed with the much more detailed ‘modern-day’ events all upon the self-same page.
The variant cover art of "INJECTION" No. 3 by Declan Shalvey |
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