TOMB OF DRACULA No. 18, March 1974 |
Whilst Marv Wolfman’s narrative for “Enter: Werewolf By
Night” undoubtedly makes good upon its promise of celebrating “two of Marvel’s
most macabre super-stars-- in a battle of monsters!” The Brooklyn-born writer’s
confrontation is rather disappointingly an emphatically one-sided affair as the
Prince of Vampires easily subdues his lycanthrope opponent on two
entirely separate occasions. Indeed Dracula actually appears to have more of a problem
overcoming Jacob “Jack” Russell’s mysteriously mesmerising female companion
Topaz, than he does outfighting the antiheroic werewolf, even turning
“hesitantly before the power of this girl” and taking flight into “the indigo
skies.”
However any readers dissatisfied over so lack-lustre a
response to this meeting of two iconic horror comic book characters, should
still have found plenty to enjoy within the Shazam Award-winner’s storyline,
especially as it provides plenty of cryptic clues as to why Russell’s father had
apparently been secretly “observing” Castle Dracula from a clandestine vantage
point within Russoff Manor. This particular periodical also contains some
additional backstory to Bram Stoker’s creation as well. Something which is
especially useful for those unfamiliar with the vampire’s history as depicted
in the American black and white horror magazine “Dracula Lives!”; a thirteen
issue series published by “Marvel Comics Group” in the early Seventies.
In fact Wolfman seems to positively delight in teasing
his audience with cryptic clues as to future
tragedies yet to come and even goes so far as to include a brief fleeting glimpse
of a hapless Blade about to be staked by a chair bound Quincy Harker beneath
the streets of Paris, only to then narrate “but we shall not see its impact…” Yet
whilst the vampire killer’s fate at the hands of the elderly invalid is clearly
to be revealed in “the next issue” dishearteningly readers would have to go and
purchase Issue Fifteen of “Werewolf By Night” in order to “learn the origin of
the werewolf” as well as discover “the conclusion of the most sense-shattering
battle of them all.” For as Dracula kneels over a semi-conscious Russell saying “But for now, Dracula thirsts and
he thirsts [for] the blood of the werewolf!” the comic dramatically ends.
Equally as frustrating is the artwork of Eugene Jules
“Gene” Colan, whose pencilling appears worryingly inconsistent throughout this
issue despite being inked by Tom Palmer. The two-time Eagle Award-winner seems
to initially really struggle drawing Jack Russell and it is only when the New
Yorker portrays the cursed youth battling the drunken ne’er-do-well Scratcher
that his readily recognised charismatic style comes to the fore.
Writer: Marv Wolfman, Artist: Gene Colan, and Inker: Tom Palmer |
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