MOON KNIGHT No. 3, August 2016 |
Reading far more like something better suited to the
sublime stop motion animation skills of Ray Harryhausen than a super-hero based
comic book narrative, Jeff Lemire’s writing for Issue Three of “Moon Knight”
should certainly have entertained the title’s 40,752 strong audience in June
2016, with its brutal punch-up against a trunkful of reeking mummies, as well
as a space sojourn on board Anubis’ star-faring raft, readily explaining just
why this publication sold an additional five thousand copies more than it did
the month before. Indeed, having arguably answered the question as to whether
its titular character is mentally-disturbed or not by revealing his female
psychologist as a crocodile-headed god, this twenty-page periodical goes on to
depict a wonderfully engaging thematic journey through Egyptian mythology
courtesy of Marc Spector allowing his “insanity [to] guide you.”
Admittedly the Joe Shuster Award-winner’s script does
sporadically allow its audience a brief pause for breath, as the former
mercenary momentarily collects his instructions from “the Moon God Khonshu” or conducts an especially touching sentimental verbal exchange with elderly
Bertrand Crawley. But such sedentary conversations between the ‘insane’
crime-fighter, his mystical phantom-like patron and fellow escapees actually
prove welcome interludes from all the fierce pulse-pounding action and additionally help break-up the occasional word-heavy speech balloons which populate the odd remarkably busy
panel; "Careful, Gena. Not one of us can afford to have our brains
scrambled any more than they already are."
The highlight of this third instalment to “Welcome To New
Egypt” however, is undoubtedly Greg Smallwood's illustrative contribution. The
prodigious American penciller somehow manages to imbue the entire cast of this
comic with their own physical attributes, whether it be the painfully hunched
shuffle of the tomb-rotting undead, the reptilian gait of a head-heavy
crocodilian Soul Eater, or the tired world-weary walk of Mister “Creepy”
Crawley. Whilst his breathtakingly detailed dimensional skies of the Othervoid,
as well as New York City’s hieroglyphic-filled subways, are literal
masterpieces. It certainly comes as little surprise that when interviewed,
Lemire stated he felt “Greg has totally reinvented himself for this run. He was
always an excellent artist, but to be frank, I was shocked when he started to
send artwork for the series. I can’t even express how amazed I am by the work
so far. This is some of the best comic book art I’ve ever seen.”
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