MOON KNIGHT No. 5, October 2016 |
Despite adopting a somewhat innovative
story-telling technique by having a variety of artists independently illustrate
each different personality of the schizophrenic titular character’s shattered
psyche as he “run(s) for his life through half-remembered histories”, this
concluding instalment of “Welcome To New Egypt” must still have come as
something of a bitter disappointment to many of its “Moonies” with its
disconcertingly indeterminate finale. Indeed, having seemingly thrown himself
to a bloody death from atop a giant pyramid rather than ‘hand-over’ his body to
“a weak, dying” Khonshu, and subsequently woken as “mister producer man” Steven
Grant, complete with loving actress Marlene, Jeff Lemire’s plot would
frustratingly seem to suggest that the Canadian’s entire multi-issue run
depicting Marc Spector’s flight from Ammut and her dog-headed sanatorium
servants has all simply been a dream; “You should get dressed. We have an early
call time, remember… We’re shooting the pyramid scene today.”
Such a surprise ending certainly supports the occasional cartoonist’s
pre-publication promise that “many things (within the comic) will be open to
interpretation as the series begins”, and additionally helps develop the ongoing
mental mysticism surrounding the mercenary who once “died in Egypt under a
statue of the Moon God”. But implying that the Crescent Crusader, Jake Lockley
and the Knight of the Moon, as well as the titular character’s other psychologically
unstable identities, are mere bedtime delusions disheartening erodes the strong
sense of edgy purpose which the Ontario-born author had, up until this edition, so successfully imbued
his main protagonist with. It also disappointingly doesn’t contribute towards “making definite statements about Marc’s mental state” as Lemire had assured his audience his work would.
Exaggerating this fractural fiction is the
creative team’s decision to utilise “incredible” guest artists Wilfredo Torres,
Francesco Francavilla and James Stokoe on the book alongside title regular Greg
Smallwood. Such contrastingly-styled incorporations, which range from the comical
to the vividly colourful, undoubtedly instils the twenty-page periodical with
an altogether different dynamism to its preceding publications. Yet the decision to
craft such a visually-choppy magazine must, with hindsight, be as unsettling a
decision for Editor-in-Chief Axel Alonso, as that of allowing his writer to
apparently malign the forty-year relationship between Spector and Khonshu and portray the Egyptian deity sadistically betraying his ‘loyal’
agent…
Writer: Jeff Lemire, and Artists: Greg Smallwood, Wilfredo Torres, Francesco Francavilla & James Stokoe |
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