MICRONAUTS No. 4, July 2016 |
Selling a somewhat disappointing 9,060 copies in July
2016, Cullen Bunn’s narrative for Issue Four of “Micronauts” predominantly
consists of a rather bemusing, though most assuredly entertaining, flashback to
the “dark days” when Baron Karza “stood
at the Emperor’s side… as the Minister of Defence” and protected “him from
enemies abroad and at home…” including “those he refused to acknowledge.” As a
result much of the plot focuses upon the exploits of “the
self-proclaimed Red Falcon”, the Microspace monarch’s arrogant and
self-righteous son, who not only once “shouted commands" to the chief
scientist’s own Acroyears during a mission to liberate the Pharoid Temples, but
also shamelessly woos his black-armoured rival’s eventual wife amidst the
palace’s less than private corridors.
Somewhat surprisingly however, none of these provocations
actually seem motivation enough for the “genius in biological engineering” to
kill Lear Sethis by themselves, and it isn’t until “the Prince of all the
Micronauts” begins to spend his “every waking moment sequestered with the Time Travellers", basking “in the futures they revealed to him",
that Karza feels obliged to act and have his foe’s drinking goblet poisoned.
Indeed, even when this murderous act takes place the Baron is still depicted as
a man morally torn between his ‘devotion’ to his ruler’s family and his ‘honest’
belief that for “the greater good of his Emperor” he must defend him against
all dangers, even if “his son becomes one of those threats.”
Such dutiful obligation and apparent agonization on the
part of this comic book series’ most famous villain, a genuine “despotic ruler
of the Microverse” who has never hitherto shown restraint in “committing one
unspeakably inhuman act after another”, was doubtless somewhat hard to digest
by an audience all-too familiar with the previously printed Machiavellian
machinations of the Force Commander. Yet seemingly demonstrates precisely the
‘meshing’ of the “Mego” toy-line “property’s magical nostalgia… with modern
Twenty-First Century storytelling” “IDW Publishing” promised prior to the
title’s release.
Setting aside any concerns as to this new depth to the
character of Baron Karza, this twenty-page periodical additionally proves an
enjoyable experience on account of its lavish-looking Max Dunbar breakdowns. Appearing
somewhat reminiscent of cells taken from an animated cartoon, the Canadian
artist’s pencilling, combined with the colouring of David Garcia-Cruz, provides
the franchise’s main antagonist with a genuinely dark foreboding presence,
whilst simultaneously imbuing Red Falcon with lots of garish colour as befits
the egotistical blue-skinned super-warrior.
The regular cover art of "MICRONAUTS" No. 4 by J.H. Williams III |
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