WORLD OF TANKS No. 1, August 2016 |
Publicised as “the first ever comic book based on the
Wargaming Battle Universe”, Issue One of “World Of Tanks” certainly lives up to
its promise of bringing “all the thrills, tension and armoured conflict”
followers of the massively multiplayer online (computer) game would “demand” by
quickly pitting the inexperienced “Cromwells and Sherman Fireflies of B
Squadron” up against Hauptman Karl Kraft’s seemingly impregnable Panthers of
Panzerabteilung 130. Indeed no sooner has Garth Ennis introduced the title’s two
main antagonists than Carlos Ezquerra’s breakdowns are littered with
explosions, mangled metal and cursing tank men.
Fortunately however, the Holywood-born writer’s narrative
for “Roll Out” doesn’t simply consist of meaningless battle sequences designed
to help sell “in-game Premium Tank bundles based on the iconic ‘hero’ tanks of
the comic book…” But instead marries his “hard-hitting”, somewhat swear-laden
storytelling, with plenty of character development too. It’s certainly made
abundantly clear that “the man in charge” of the “world’s greatest panzer” is
far from your stereotypical Third Reich goon, even if he does wear the
notorious Totenkopf symbol on his cap; “The other four (panzers) aren’t in much
better shape. They all need complete overhauls. And… Freddy, haven’t we left
enough people behind at this point?”
Sadly the same cannot surprisingly be said for the
inexperienced Second Lieutenant Simon Linnet, “commanding Number Four troop”,
whose disconcertingly cheery disposition and “itching (desire) for a crack at
Jerry”, along with that of his incongruently chipper fellow British tank
commanders, seems to stem from the worst sort of ‘pip pip’ clichés imaginable.
Such trite dialogue definitely brings Wargaming’s Director of Marketing Erik
Whiteford’s assurance that their “first priority was ensuring that we told an
authentic and historically based tale of combat” under close scrutiny…
Any frustrating concerns by this twenty-two page
periodical’s audience as to its script’s hackneyed accuracy though, should have easily been cast aside when one considers the book’s outstanding artwork. Rightfully
described by “Dark Horse Comics” as a “legendary illustrator”, Carlos
Ezquerra’s pencilling for this comic is as “gritty and… realistic” as any
bibliophile would want their “pulse-pounding tank combat” to be, with the
Spaniard’s incredible depictions of “seventeen pounders”, “Jabos” and Panthers,
all being seemingly imbued with plenty of dynamic energy, movement and danger.
Script: Garth Ennis, Artist: Carlos Ezquerra, and Colors: Michael Atiyeh |
I have read quite a few of Garth's "War Stories" that he wrote for Avatar, so I know he can spin a good WW2 yarn. And, it goes without saying that I'm a big fan of Carlos's artwork, especially as he has done so much work for 2000AD comic. I suspect I'd really enjoy this series but it's not a one I'm in any hurry to buy. I'll wait until it comes out in TPB format before deciding whether to buy it or not. Plus, by then I'll have a better opinion of your own overall rating of the series. The gaming tie-in means nothing to me as I don't ever play computer games.
ReplyDeleteWell it is early days yet Bryan, but things look very encouraging imho. Obviously as a mega-fan of Ezquerra, I'll be following this one very closely over the next few months. But I'd already be earmarking the tpb as an essential purchase if I was you ;-)
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