STAR TREK: BOLDLY GO No. 17, February 2018 |
Sadly however, even a comprehensive understanding of Samuel A. Peeples's original 1965 television pilot and Gary Mitchell’s fearsome telepathic/telekinetic powers arguably doesn’t actually help make this magazine’s script any more enjoyable, as “IDW’s Kelvin Universe scribe” additionally seems to use the formidable scoring Duke-Heidelberg Quotient test subject as a contrived excuse to showcase a plethora of “infinite realities” where “the Federation, the Klingons, and the Romulans conquer each other’s homeworlds, and vice versa”; “I’ve been trying to keep score. The Klingons have a healthy lead so far.” This somewhat short sequence is admittedly rather intriguing and well pencilled by artist Marcus To, yet as with the aforementioned Kirk carousel, doesn’t add anything to an already over-convoluted and punishingly padded out plot, except perhaps the possibility that somewhere ‘out there’ exists a Godzilla-sized James T. battling a blue-skinned giant insectoid across a futuristic cityscape…
To make matters worse, this comic’s cliff-hanger conclusion, which depicts both Starfleet Officers arguing above the mutated lieutenant’s coffin in outer space, appears to have been entirely manufactured just to string out Johnson’s ineffectual “Infinite Diversity In Infinite Combinations” for one further issue. Mitchell makes it clear to his former friend that in his eyes he has the power of a God, and has already used that power to eradicate all the “infinite Gary’s out there”. Considering that he also plans to do the same with all the Kirks, why therefore does he risk everything by willingly giving his hated rival “part of my power” in order to “fight it out”, particularly when he knows full well that he’s being goaded into giving his opponent his “only chance of beating me”..?
The regular cover art of "STAR TREK: BOLDLY GO" No. 17 by Marcus To |
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