RED SONJA No. 0, December 2016 |
Whatever the American author’s intentions though, her narrative for this sixteen-page periodical undoubtedly starts out very well with Sonja battling a formidably-sized fire-breathing Spawn of Hell “halfway between Hyrkania and Khitai” in “the last remnants of the mighty Kingdom of Meru.” Indeed, for a while “In The Beginning” seems to be a reasonably bog-standard, though still thoroughly exciting, confrontation between the scantily-clad warrior and her multi-tentacled four-eyed foe; “You stand between me and a large flagon of ale. And nobody gets between me and a good flagon.”
Sadly, all these sword and fantasy shenanigans are brought to a swift, unsatisfactory conclusion though, with the sudden appearance of Kulan Gath, and the sorcerer’s seemingly simplistic ability to whisk a disconcertingly groggy Sonja far into the future, at a time when her present location stands in the path of an underground railway construction team. This ‘strange turn of events’ does admittedly provide a modicum of humour, as the red-haired barbarian chases after the terrified workmen with her lethal sword in one hand and a Hyrkanian oath on her lips. But this scene soon sours into a somewhat long-winded exploration of the tube’s tunnels and a bizarre conversational piece between Roy Thomas’ co-creation and a rat.
Fortunately, despite Chu’s debatable choice in concept, this comic does provide some breathtakingly stunning visuals courtesy of Carlos Gomez’s illustrations. The Spanish artist demonstrates all the pencilling skills that a reader would want from a professional with his lush-detailed renderings of a demonic dragon, the intricacies of an underground railway and Sonja’s own famously curvaceous form.
Writer: Amy Chu, Illustrator: Carlos Gomez, and Colors: Mohan |
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