THE THING No.6, June 2006 |
Artists come and go on comic books all the time,
whether it be because of editorial interference, creative or collaborative team
differences, or simply because a different, possibly better job has come along.
Whatever the reason, it is somewhat unusual for such an event to occur midway
through a story arc and even rarer for such a change to be an improvement. The
artwork of “…There Goes The Neighbourhood!” despairingly drawn by Kieron Dwyer,
being a very good case in point as the superbly detailed pencil work of Andrea
DiVito is replaced by the infinitely inferior scratchings of the former
“Classic X-Men” illustrator.
Indeed in some ways it could even be argued that
“Marvel Publishing” knew such a replacement was going to impair the quality of
the title and thus its sales, as your average newsstand reader would be
absolutely innocent to the Italian artist’s departure, bearing in mind DiVito’s
considerable talents were still retained in order for him to pencil the issue’s
front cover. It is only once the first page of “The Thing” is turned, and the
reader is greeted with the miserably mediocre depiction of the Sandman and the
Thing slugging it out in a Yancy Street backyard, that it becomes blindingly
obvious Dwyer is sat in front of the drawing board now.
Unfortunately this
change in illustrators would also appear to have had something of an impact
upon writer Dan Slott as well. Desperately trying to tap into that rich popular
Bronze Age vein known “Marvel-Two-In-One”, the American comic book author teams
Ben Grimm up with the publisher’s number one character, Spider-Man, and
together the super-heroic duo merrily smack both the Trapster and the Sandman around
for half a dozen pages or so.
There’s even some nice nostalgic references
thrown into the dialogue, such as the webcrawler, donned in his “Civil War” gold
and red ‘Iron Spider costume’, referring to himself as being a member of the
Fantastic Four; having been so when he was teamed-up with the Hulk, Wolverine
and Ghost-Rider. But the entertaining interplay between the fast-mouthed Parker
and slow dry-humoured Grimm simply doesn’t last long enough and Spidey is
swiftly replaced by an appallingly drawn cameo of Hercules.
Ultimately Slott
returns to the repetitively boring Ben-Alicia love 'rekindled' sub-plot he has been
desperately trying to weave into the ongoing storyline since the series began. But now
readers haven’t even got DiVito’s strong, entertaining artwork to admire whilst
reading the American’s stilted disinteresting dialogue. Instead they have
several pages of painfully pencilled, and quite grotesquely drawn figures to
steer through before “the ever-lovin’ blue-eyed end!” As Ben Grimm snores at
the conclusion of the comic “Zzzzzzzzzzzz.”
Story: Dan Slott, Artist: Kieron Dwyer, and Colors: Laura Villari |
Funny you should mention "Two in One" as I got the essential two in one "the Thing" volumne 1 for christmas and volumne 2 for my birthday a couple of weeks back (I'm working my way through vol 2 now), Much as I enjoy your descriptions of these new "Grim Adventures" (pardon the pun) I think I'll stick to the true golden age stuff myself, albeit sadly in black and white and not the original colour. Still keep up the good work.
ReplyDeleteCheers Roger.
Thanks Roger. I think Dan Slott's first attempt at capturing that "Marvel Two-In-One" feel, with "The Thing" Issues 1-3, was infinitely more successful than this attempt... though as I say, a lot of this has to do with the poor artwork. Only a few more issues of this run to cover now, as it was cancelled with #8. Then I may well start covering the genuine article or "The Thing" 1983-86 series... Which would you prefer?
DeleteEither or' to be honest they are both right up my street. It would be interesting to hear your take on the original "2 in 1" compared to mine. but I'll read whatever you put in front of me!
DeleteCheers Roger.
Okay. I'll keep you guessing then. But I have just managed to bag a few classic issues from the very start of the Bronze Age ;-)
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