THE WALKING DEAD No. 116, November 2013 |
For a comic containing such a tremendously high
bullet count, there is actually a remarkably low number of deaths in this issue
of “The Walking Dead”. In fact the villain of the piece Negan probably uses
more profanities and expletives in this book than there are corpses… ‘shot
dead’ ones anyway. But that in no way means this edition’s twenty-two pages
aren’t crammed full of action, tension and excitement, as they most definitely
are; more than ever once Rick Grime’s combined forces begin attracting a
veritable wave of zombies to The Sanctuary with their withering firepower.
Particularly impressive is co-creator Robert Kirkman’s delivery of what could
so easily have been a rather typical and tired ‘storming’ of a fortified site
plot. Instead the confrontation between Grimes and Negan is very much played
out like a game of chess, with the savage hard-nosed despot making an ill-fated
first move which results in only eight Hilltop men deserting the survivors.
However the former Cynthiana police deputy’s counter response is seemingly less
productive until it becomes apparent that his group’s shooting served a dual
purpose; being both a distraction and an enticement for a nearby horde of
shambling cadavers.
Another impressive storytelling technique is the American
comic book writer’s use of Negan and the disciplinarian’s reactions to the ebb
and flow of events as they occur. Confident and sneering when he believes half
of Grime’s army is going to disperse, then gregariously self-effacing once he
realises that’s not the case. The comic’s main antagonist leaps from one
emotional extreme to another. But in doing so provides the reader with some
genuine insight as to just how badly the Savior’s fortunes are going. Especially
when the supremely self-assured tyrant starts cursing and swearing upon seeing his
fortifications fences and barricades penetrated by ‘the walking dead’; courtesy
of a pick-up truck driven by a determined Holly.
Charlie Adlard’s artwork is
competent throughout and clearly enhanced by the labours of inker Stefano
Gaudiano and Cliff Rathburn’s gray tones. However what the British illustrator
clearly excels at are his animated depictions of the zombies, whether they be
roamers straining at neck and wrist chains, or free walkers, half-running and
stumbling towards the noise of the battle’s mayhem. Their decaying flesh,
broken limbs and insatiable hunger for living flesh is superbly captured by Adlard’s pencilling; his double-page spread of a horde fast-approaching The
Sanctuary being an artistic highlight of the comic.
Writer: Robert Kirkman, Artist: Charlie Adlard, and Inker: Stefano Gaudiano |
A very fair review, Simon. I was pleased to see you acknowledging the impressive work of Charlie Adlard and Stefano Gaudiano. Their depictions of zombies are second to none.
ReplyDeleteThanks Bryan. This was a much better issue imho than #115, and, asides from the 'harsh language', I really enjoyed Negan's responses to what was going on. Adlard can most definitely draw zombie hordes :-)
DeleteI'm trying not to be tempted by these, but it's not working. Will eventually break down and give in especially after seeing the six issue graphic novellas. Too much zombie goodness so little cash!
ReplyDeleteBob, I'd really recommend the first volume (#1-6)completely drawn by Tony Moore. In many ways its a complete episode in its own right and superbly written and drawn. I'm not too much of a fan of Adlard's initial artwork from #7 though but now he has the likes of Gaugiano inking and Cliff Rathburn doing the gray tones (from #115 onwards) I'm starting to warm to him; especially his zombies as they are stunning.
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