THE AMAZING SPIDER-MAN No. 12, March 2015 |
There’s a disconcerting vibe of something akin to
desperation with Issue Twelve of “The Amazing Spider-Man”. Almost as if writer
Dan Slott, despairingly short of ideas as to where to take the cross-title story-arc
next, decides that the best thing to do is to simply have the comic’s
twenty pages crammed full of some of the most ludicrous and farcical multi-verse
wall-crawlers a former writer for “Mighty Mouse” could muster.
Whether such a
fraught move originated because the “Spider-Verse” event had by now
‘snowballed’ out of control across other “Marvel Worldwide” magazines, or that
the presumably punishing twice monthly publishing schedule had started to catch
up with the American author’s writing is decidedly unclear. Whatever the reason
apart from Web-head being sent some scrolls from the Inheritor’s household by an undercover Spider-Woman, and teleporting his Spider-army to the post-apocalypse Earth-3145
for one of the most over-used cliff-hanger’s in Peter Parker’s history (i.e. Uncle Ben is alive), very
little plot is actually progressed in “Anywhere But Here”.
Instead Slott pads
out the page-count with a seemingly endless parade of rather silly, arguably
childish and extremely unlikely spider-variants. Spider-Knight, complete with
“Zounds!” as Solus punches through his chest, black & white Japanese
Spider-boy(?), the Lone Spider-Ranger, and even Spider-Buggy all make
cringe-worthy appearances at a time when the tension is supposedly high
following the death of Cosmic Spider-Man and the Inheritor’s abduction of the
Scion. “Oh put-put-please…” as the talking Spidey-Mobile says.
Possibly the
worst incarnation however has to be Takuya Yamashiro and his giant robot
Leopardon from the 1978 live-action Tokyo Channel 12 television series.
Admittedly the Defender of Justice’s vehicle is meant to be the “mightiest
instant killing giant robot in the history of Tokusatsu programming”. But precisely
how Slott thought this “Toei Company” character is meant to compete against a
being who has literally just killed the Spidey who can conjure up and control
the Enigma Force is baffling. Unsurprisingly the Head of the Inheritors simply pulls one of its arm off before pulverising it.
Unfortunately there isn’t even the comfort
of looking at regular “Spider-Verse” artist Olivier Coipel’s excellent
pencilling with this issue. As despite producing a moodily atmospheric, though
rather misleading cover illustration of the full Loomworld family posing in
front of numerous wall-mounted spider-heads, the Frenchman is not responsible
for the interior artwork… Giuseppe Camuncoli is; someone who disappointingly
seems incapable of delivering a consistently competent drawing style throughout
the comic book.
The variant cover art of "THE AMAZING SPIDER-MAN" No. 12 by Gabriele Dell'Otto |
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