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| PLANET OF THE APES VS. FANTASTIC FOUR No. 1, April 2026 |
True, the American author’s narrative isn’t entirely confined to being a dialogue-driven courtroom drama, and does – courtesy of an adrenalin-fuelled flashback sequence – provide a genuinely scintillating bout of fisticuffs between Stan Lee’s co-creations and the Red Ghost. However, just how Ivan Kragoff managed to penetrate the well-documented security systems of the Baxter Building with his Super-Apes, let alone activated Mister Fantastic’s Di-Quantum Stabilizer is never explained, and may well resultantly strike some in the audience as simply providing this comic with some much-needed “Thok!” before the book gets too bogged down with a seemingly never ending carousel of conversations.
Perhaps this publication’s best moment therefore occurs just after a de-powered Fantastic Four miraculously arrive in one of the large crop fields belonging to Ape City, and are quickly captured by a handful of soldiers. This sequence does a good job of acknowledging one of the defining scenes in Franklin J. Schaffner’s 1968 movie “Planet of the Apes”, and certainly brings back memories of actor Charlton Heston deftly dodging one of the gorillas’ nets as they unsuccessfully tried to ensnare his silver screen alter-ego.
Likewise, Andrea Di Vito does a first-rate job in capturing all of Twentieth Century Studio’s science fiction characters – such as “Cornelius, Zira, Ursus, and of course Dr. Zaius!” Furthermore, the illustrator's backgrounds make it is very easy to imagine the increasing roar of a hostile crowd as the leading member of the Ape National Assembly, Minister of Science and also Chief Defender of the Faith desperately attempts to “follow the rules set forth by the Lawgiver” so as to ascertain just who these (new) talking humans actually are.
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| The regular cover art of "PLANET OF THE APES VS. FANTASTIC FOUR" #1 by Greg Land & Rachelle Rosenberg |


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