DOCTOR WHO: THE THIRTEENTH DOCTOR No. 1, December 2018 |
Of course, tucked inside this “new beginning” are the makings of an intriguing adventure involving a pair of hapless humanoid scientists who seem to be unwillingly stealing antiques from the Earth’s past in order to appease the desires of a rather regal-looking, blue-skinned extra-terrestrial. But for the most part, much of this publication could perhaps be rather unkindly criticised for simply showing how close the Doctor’s “most thrilling incarnation yet” is to her ‘small screen’ counterpart as played by actress Jodie Whittaker. In fact, the titular character’s dialogue is seemingly so spot on, that it would be very interesting to know just how much help the franchise’s producer and lead writer, Chris Chibnall, actually provided to the Eisner Award-nominee’s narrative; “Now if I’m right, and I’m pretty sure I usually am… We should be able to track the signature of the disruption.”
Disappointingly however, as with so many stories penned during the ‘Nu Who’ era, this story’s telling does debatably suffer with an over-abundance of the “charismatic and confident” explorer’s sonic screwdriver. Whether the device is being used to scientifically assess an “almost certainly” dangerous time tunnel, provide the TARDIS with a unique energy signature in order to allow the sentient Police Box to “build an algorithm to calculate exactly where the [aforementioned] disruption will [next] appear”, or help the Thirteenth Doctor “stabilize the disruption as long as I can”, the protagonist’s repeated use of the audible probe makes one worryingly wonder just how the Time Lord has ever survived without it.
The regular cover art of "DOCTOR WHO: THE THIRTEENTH DOCTOR" No. 1 by Babs Tarr |
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