MICRONAUTS No. 7, November 2016 |
Disconcertingly set “in the aftermath of Revolution”,
“one of the biggest events in IDW’s history”, Cullen Bunn’s opening three-page
summary as to just how this comic’s titular characters have somehow become
“trapped in a world inhabited by giants” following their recent flight from
Karza’s forces in Microspace, must have proved a bewilderingly essential read
for any non “IDW Faithful” who happened to ‘have been living under a rock’ in
November 2016. In fact, even then, the rationale behind the GLAAD Media Award-nominee’s
narrative for Issue Seven of “Micronauts” probably didn’t make a great deal of
sense to some of its 5,918 bibliophiles until they perused Editor-in-Chief David
Hedgecock’s “Welcome To The Hasbro Universe” exposition at the back of the
book, within which he explains that “thanks to the storylines created in
Revolution, some of Hasbro’s most popular franchises are now tied into one
universe of epic proportions.”
Luckily however, understanding just how the tiny team
have come to be trapped within a reinforced glass tank awaiting lethal
experimentation at the hands of Mankind’s modern-day scientists isn’t essential
to enjoying a thoroughly entertaining re-imagining of “Land Of The Giants”, as
Acroyear lays down a seriously impressive smackdown upon a group of armed
guards which results in at least one of the armour-clad goons losing a few
teeth. This action-packed scene is tremendously well-paced, packed full of sense-shattering
gun-play, and helps define just how formidably powerful the genetically
engineered super-warrior still is despite his sudden diminutive size.
Indeed, the entire sequence imbues the American novelist’s
storyline with some arguably much-needed energy, which then adds extra urgency
to the subsequent exploits of Biotron and Microtron as they unsuccessfully attempt
to outrun a pair of slavering sentry-dogs who seem intent on chomping up
Acroyear as a tasty snack; “I really do wish everyone was conscious to witness
this… Back! Back, you slobbering beast!” Such well-handled interplay between this
comic’s non-human cast provides all three individuals with an opportunity to
demonstrate their unique personality traits, with the “self-deprecating wit and
biting sarcasm” of Oz’s first mate proving particularly humorous.
Written by: Cullen Bunn, Art by: Max Dunbar, and Colors by: Ander Zarate |
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