IMMORTAL HULK No. 18, July 2019 |
In addition, the intermittent glimpses of General Fortean’s face-fingered Subject B slowly stalking its oblivious prey, and horribly murdering any hapless bystander who stands in the scaly-skinned abomination’s way, generates an increasingly tense atmosphere which may well have tempted the odd Hulk-Head to sneak an early peek at this comic’s cataclysmic conclusion. Luckily, for those within this books’ 75,983 strong audience who ‘stayed the course’ though, the ensuing confrontation between the Green Goliath and his visually-disturbing, sharp-clawed opponent is worth the wait, due in large to the revelation that a semi-conscious Rick Jones is somehow partially buried deep within the ghastly creature’s horribly-malformed maw…
Significantly ramping up this horror show an extra notch or three, has to be Joe Bennett’s pencilling, which seems to successfully heap muscle upon muscle over the Hulk’s broad shoulders whether he be appearing as little more than a reflection in the mirror, or as a ‘last minute saviour’ to protect Marge from the same grisly demise which has befallen her co-worker Anna. The Brazilian artist really seems to have a fine grasp for creating highly memorable new foes for this ongoing series too, with Ewing demonstrating just how much faith he had in his creative collaborator’s design skills by placing Emil Blonsky’s ‘heir presumptive’ into the plot simply because the illustrator “said he’d quite like to draw the Abomination.”
First published on the "Dawn of Comics" website.'
The regular cover art of "IMMORTAL HULK" No. 18 by Alex Ross |
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