BOY ZERO: VOLUME TWO, May 2016 |
For starters, a “downtrodden” Nigel finally seems to stumble upon a link between the understandably troubled Christian and “that woman from the paper, the author.” This connection is superbly penned, and is so nonchalantly dropped into a lengthy, late night conversation over a hot cuppa between the overweight investigator and Susan, that it would probably have been entirely missed amidst the discussion’s word-heavy dialogue, if not for the lawman’s astonished facial expression at hearing the news…
Cue a trip to a local bookshop and an overly helpful store-worker who impractically offers to recommend “a few others here… over that one”, and Drekker’s ‘game is most definitely afoot’ once again. Indeed, the rotund detective’s excessively aggressive response to temporarily being inundated with other novels by Joan Hagen over “Monster”, is probably one of the best moments in this entire publication, as his sudden burst of angry energy probably startled not just the store clerk, but doubtless a few within this graphic novel’s audience as well; “Just shut the f*%k up! I’ll take this one!”
Adding plenty of additional atmosphere, as well as a swelling sense of unstoppable insanity, are Shiloh Penfield’s highly disturbing panels. The “guest artist… on Red Knight published by Dead West Comics and multiple independent projects” provides plenty of visual treats to the observant, with her veritable menagerie of assorted dogs, stoats and budgerigars randomly released from Mister Stevens’ Glass City pet shop proving especially amusing. Indeed, the illustrator’s attention to detail, especially when pencilling eyes, is utterly unnerving, so when this tome’s tension begins to ‘ramp up’ it is hard not to be immediately drawn to the expressionate faces of this comic’s numerous characters.
Written by: Charles Chester, and Artwork by: Shiloh Penfield |
No comments:
Post a Comment