Saturday, 25 April 2020

Savage Sword Of Conan #6 - Marvel Comics

SAVAGE SWORD OF CONAN No. 6, August 2019
As “all-new self-contained” stories go, Meredith Finch’s narrative for Issue Six of “Savage Sword Of Conan” probably entertained most of its 24,046 strong audience in June 2019. For whilst the twenty page periodical lives up to its front cover’s “parental advisory” in depicting the titular character as an unstoppable killing machine who is capable of mutilating a never-ending carousel of supposed close combat champions, it’s rather straightforward script still provides an enthralling adventure, which even includes a moment of mirth towards its end; “I look forward to seeing the product of our union. Our children will be magnificent! Wait! What are you..? No! You can’t just leave.”

To begin with, the Cimmerian is initially found drinking in a public house somewhere along the Kezankian Pass, and despite it being somewhat implausible that the experienced traveller would so willingly accept a flagon of ale from a total stranger, this unwise move soon results in the wretched wanderer becoming an unconscious prisoner aboard a sea vessel sailing along the Ilbars River. This turn of events is arguably not the most innovative of plot points to befall the sword and sorcery hero, but it does rather succinctly then set up the partially comatose warrior’s involvement as fighting fodder for a great championship.

Indeed, having been repeatedly sedated during his journey to the cells of the General of Akif, the “past writer of Wonder Woman for DC Comics” pleasantly shows Conan using his brain over brawn, by faking his stupor so as to “prevent another dose of the strength-sapping drug.” This strategy sees the Cimmerian desperately trying to free his head of cobwebs and his limbs of lethargy at the same time as fighting in a most lethal-looking arena, and in many ways it is a shame that “the fires of adrenalin burn the last vestiges of the drug from the warrior’s veins” as quickly as he does, for nothing then even comes close to injuring Robert E. Howard’s creation for the rest of the comic.

Providing this book with some eye-watering death scenes are Luke Ross’ layouts, which capture all the savage ferocity and barbarity once might expect for a publication predominantly set within the confines of a gladiatorial tournament. In fact, it’s somewhat debatable that Conan has ever been shown as being quite so vicious, as he mercilessly stabs his fellow contestants through the eye, literally cuts them in half and decapitates them in his strenuous efforts to once again meet the treacherous Thorgeir.
Writer: Meredith Finch, Artist: Luke Ross, and Color Artist: Nolan Woodward

2 comments:

  1. Despite the somewhat precipitous way he ends up there, the artwork of Conan happily chopping his way through the field appears to depict the might thewd (cant remember how they spelled that) barbarian very well. As I hope to embark on a Cimmerian army for Hott in 15mm at some point this is rather timely. I shall bear it in mind for inspiration at a future date.

    Cheers Roger.

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    1. Luke Ross' artwork is definitely a strong asset for this this comic book, Roger, and there's a real "Gladiator" theme once the action starts as the steel-thewed Conan carves his way through all the champions. This was definitely one of the better issues of "Savage Sword of Conan" before its sudden (and quiet) cancellation at the start of this year.

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