IMMORTAL HULK No. 32, May 2020 |
Perhaps therefore this comic’s one redeeming feature is its all-too brief ‘look-in’ upon the dastardly doings of Roxxon Energy Corp’s CEO, Dario Agger, whose willingness to sacrifice his loyal killer Travers, so as to sate the appetite of his extra-terrestrial business partner, is as chillingly quick a decision as the hired gun’s death appears excruciatingly painful. Indeed, the relationship between the Minotaur and the “would-be world conqueror” is arguably perfectly penned, with Xemnu’s carnivorous need to consume human flesh there and then being all too readily accepted by the mentally unstable Greek mutate as simply some sort of business transaction; “Sorry Travers…I’ve only got access to the one Hulk. Supply and demand. Old friend. Supply and demand.”
Equally as insane, though debatably far less successfully delivered, is the British writer’s depiction of Bruce Banner and his internal struggle to contain the scientist’s ever-angry Devil Hulk persona. It is quite clear that the nuclear physicist is unwell when he seemingly threatens Rick Jones for simply calling him by his middle name and not Robert, having been found by Captain Mar-Vell’s old side-kick damaging a glass window in one of Shadow Base Site G’s bathrooms. Yet the Eisner Award-nominee later returns to the self-same scene supposedly just to reinforce the message that “Banner smash.”
Joe Bennett is also a little off his stride with some of this comic’s pencilling. True, the Brazilian artist does a grand job of drawing the wide-eyed, almost slack-jawed, gamma expert initially, and his illustration of Xemnu’s cybernetic stomach slicers is disturbingly detailed. But many of his faces, most notably those of Doc Samson and, towards the end of the book, Banner himself, are disconcertingly inconsistent, with several appearing to have been hurriedly sketched simply to help pad out the word-heavy panels.
The regular cover art of "IMMORTAL HULK" No. 32 by Alex Ross |
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