IMMORTAL HULK No. 38, December 2020 |
To begin with, the former “Judge Dredd” writer does a first-rate job of penning the highly radioactive body of Delbert Frye disconcertingly stalking the dark corridors of General Reginald Fortean’s old headquarters, waiting to sizzle any scientist he might come across into a repugnant puddle of melted flesh and charred bones. Doctor McGowan’s sheer terror at the sight of the fluorescent green monstrosity is truly palpable, and doubtless many readers genuinely felt her sense of pure panic as the “genius-level genetic engineer” eerily approached her with his malformed hands outstretched towards her.
Similarly as gruesome is Jones’ fate, once an emaciated Doctor Samson has literally brained the Leader with a large piece of concrete in the Below-Place, and given Charlene an opportunity to activate the top secret military facility’s teleporter with an all-encompassing "six-foot radius.". His body’s partial translocation into two ghastly pieces of still writhing flesh is shockingly unpleasant to witness and looks like something taken straight out of a John Carpenter film from the early Eighties.
Perhaps unsurprisingly, a lot of this publication’s sense-shattering scares are also down to the excellent layouts of Joe Bennett, who seems to be able to pencil unnatural human anatomy with alarming aplomb. The Brazilian artist’s designs for Rick, Frye and Sterns are marvellously rendered throughout the comic, and only eclipsed by the sheer scaly nightmare which is the lizard-like Devil Hulk; “Hey, Big Guy. I hear you, kid. I love you. I’ll always be here for you. He’s not your Dad. Not a good Dad. A Dad can’t hurt you and be a good Dad. Just let me out, okay? Let me out and I’ll kill him.”
The regular cover art of "IMMORTAL HULK" No. 38 by Alex Ross |
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