STAR WARS: BOUNTY HUNTERS No. 5, November 2020 |
However, rather than simply settle upon a comic-long bout of fisticuffs between two of the Star Wars franchise’s most recognisable fugitive recovery agents, the comic book writer also probably pleased this title’s 27,000 fans by intermixing all of its high-octane action with some fascinating insights into the background behind Lash’s notorious killing of her client “the heir of the Mourner’s Wail Syndicate”. These flashbacks really are a joy to read, as they not only reveal just how Nakano’s crewman T’ongor was killed by a misdirected blaster bolt from Fett, but also illustrates just why Jango’s clone and Valance detest each other so strongly after the Mandalorian armour-wearing warrior deserts his team-mate to be savagely tortured; “You Fool! You’ve doomed us both.”
Equally as intriguing though is Sacks’ sadly all-too fleeting look at how Nakano became orphaned on Glee Anslem by an extremist, and just how much this loss strengthened the Nautolan’s determination to ensure Khamus’ child was kept safe from a galaxy which would clearly do the young girl harm. In addition, the similarities between the harrowing murder of Lash’s hapless parents whilst her “mom” is heavily pregnant with that of Krynthia’s fatal predicament on Corellia, makes the bounty hunter's sudden decision to kill Khamus much more understandable.
Of course, much of this book’s dynamic story-telling wouldn't be quite so impactive if not for the energetic layouts of penciller Paolo Villanelli and colorist Arif Prianto. The artistic duo genuinely imbue each scene with incredible vitality, whether it be Lash’s swollen-bellied mother desperately shoving her daughter’s would-be attacker to one side or Fett belting Valance in the chops with a jet-pack powered “Whump”.
The regular cover art of "STAR WARS: BOUNTY HUNTERS" #5 by Lee Bermejo |
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