WARHAMMER 40,000: MARNEUS CALGAR No. 3, February 2021 |
Enjoyably however, this well-defined distinction is definitely what the British author’s narrative needs in order to remain at least slightly ‘believable’. Armed with little more than a knife and a belly full of revenge for his fallen friend, it would arguably have been all too easy to have penned Tacitan waging a war upon the perfidious Crixus like some sort of super-fighting machine. But rather fall into that particular trap, the former video game journalist instead shows the outnumbered loyalist desperately trying to use his brains to overcome his opponents’ brawn, and ultimately actually failing in his mission to destroy the traitors’ foul underground altar.
Likewise Gillen appears rather good at depicting the sheer might of a lone Space Marine sergeant when faced with a cybernetically-enhanced, axe-wielding maniac and his fanatical brethren. Power sword in one hand and bolter in the other, Arta readily overcomes all of the physical hurdles which stood in Tacitan's way, and still has time to rescue the awestruck youth from a self-imploding demonic dais before he’s done dispensing the Emperor’s justice; “I saw the monster that was Crixus advance. Full of dark power and darker madness. Any man would have run. But the marine? He knew no fear.”
Just as important to the telling of this twenty-page periodical’s pulse-pounding plot is Jacen Burrows’ awesome artwork, which genuinely seems to add an awful lot to the mythos behind Calgar’s rise to become the Lord of Macragge. The sheer weight behind Marneus’ power-fists can almost be felt whenever he swings the gigantic close-combat weapons in anger, and such well-pencilled scenes diverge marvellously with those of the light-footed serf, who is forced to rely upon sheer speed and cunning rather than the overwhelming weaponry of the Adeptus Astartes.
Writer: Kieron Gillen, Artist: Jacen Burrows, and Colorist: Java Tartaglia |
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