SIMON N. KIRBY, THE AGENT No. 9, November 2024 |
Just as exciting however, has to be this edition’s covert operation to locate the nefarious Tiki Man and bring “the Kingpin of the Underworld” into custody for questioning. Focusing on the feminine wiles of a disguised Pocahontas, this admittedly dialogue-driven sequence is packed full of tense, threat-laden verbal exchanges, and does a marvellous job in highlighting both how nasty a villain the mask-wearing hoodlum can be, as well as just how close to a painful demise the young Federal Agent actually gets; “Why don’t you come over to my table while I figure out what to do with you. I insist. If I decide you’re trustworthy, I’ll let you leave.”
Of course, probably the most eye-catching event within this comic is the aforementioned smackdown on the drinking club’s malodourous occupants by the titular character’s numerous comrades-in-arms. This rather one-sided battle was clearly a great chance for Offenberger to pen some of his creations (alongside others) having a blast whilst thumping a good dozen roughnecks in the mouth, and the American journalist appears to grab the opportunity with great gusto.
Prodigiously cramming all these adrenalin-fuelled antics into the confines of each printed panel is Gilbert Monsanto, who masterfully manages to capture the look and feel of the medium’s Bronze Age with sensational aplomb. Whether it be Rob McFarlane’s colourfully-costumed alter-ego genuinely appearing to be about to smash the reader straight in the face with this comic’s opening splash page, or the closely-confined combat between The Agent and the Tiki Man in a night-time alleyway, the artist manages to bring every movement to dynamic life with his top-tier pencilling.
The regular cover art of "SIMON N. KIRBY, THE AGENT" #9 by Stefani Rennee |
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