SUPERMAN No. 32, August 2014 |
I must confess I have never been a big fan of “DC
Comics” ‘Big Blue’. He’s simply too powerful and as a result usually requires a
seriously omega-class super-villain to cause him much consternation. I must
also admit that I am not the greatest of admirers of John Romita Junior’s
artwork either, much preferring the pencils of his father from his legendary
run as artist on “The Amazing Spider-Man” for “Marvel Comics Group”. However
there was something about the cover art to Issue 32 of “Superman” which really
captured my attention, and realising that is was the first in a series of issues to be drawn by the American comic book artist I quickly bought
it along with the following two most recent editions of the title. Even the
fact the cover boldly displayed “The New 52” logo in bright red ink wasn’t
enough to put me off.
It is clear that as a creative team John Romita JR, Klaus
Janson on inks and Laura Martin as colorist are going to produce some sublime
pieces of artwork for “Superman”. Almost straight away the artists have the
Smallville Boy Scout duking it out with an incredibly well-drawn cybernetic
King Kong, which is superbly detailed and given a ghostly green hue which
immediately reminded me of the old Man of Steel villains Metallo and Brainiac.
Sadly the fight is over all too quickly but Romita Junior’s outstanding line
work continues unabated with some lovely clear depictions of Clark Kent and his
usual supporting cast at the Daily Planet. I was especially pleased to see
writer Geoff Johns give newspaper editor Perry White some considerable coverage
in the early panels. But it’s then quickly back off to the action and one can
almost hear the immortal Seventies motion picture Da Dadada Da as the reporter
unbuttons his shirt to reveal the red and gold ‘S’.
Unfortunately this issue is
still not without the odd flaw. As I feared the last son of Krypton isn’t particularly
tested until he encounters an alien invader, and whilst I really like the way
Romita Junior draws Superman, his illustrations of Ulysses reminded me of why I
stopped buying his issues of “The Uncanny X-Men” and “Daredevil” in the
Eighties. Indeed to be honest I couldn’t help but feel this ‘last son of Earth’
looked nothing more than a long-haired version of “Star Brand”; one of the
better super-heroes from “Marvel Comics Group” New Universe imprint of the late Eighties and who was drawn by none other than John Romita Junior.
These minor quibbles however
do little to spoil what “DC Comics” are clearly advertising as one of the best
things to happen to “Superman” in ages. I certainly don’t remember such
excitement around a new creative team for this particular book since the days of Jack “King”
Kirby and later John Byrne doing the artwork. I plan to be in this for the whole
ride, though I actually don’t have any real choice anyway as I’ve already
bought the next couple of issues.
Hi Simon must admit I've never been a fan of the man of steel myself as you say he's just too good and powerful and he doesn't carry around the self loathing that I seem to like in my heroes. That said I did enjoy the last superman movie, finally an actor who looks lke he could be superman even when he's not dressed as superman.
ReplyDelete(you've got to love Terrence Stamp as Zog though!).
Roger, I agree that Stamp was the definitive General Zod. I've already got the reviews done for the next two issues of Superman as I devoured the books very quickly (you'll see why in the review of #33). Not sure what to post next though, Superman or The Thing? :-)
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