KINGS WATCH No. 3, November 2013 |
I am not entirely
sure why I ended up purchasing this particular edition of “Kings Watch” as it
has a Ramon K. Perez exclusive subscription cover and I am not a fan of his
artwork, despite him being a multi-award winning cartoonist. Indeed the regular
comic’s front page illustration by Marc Laming and Jordan Boyd is infinitely
better and actually conveys a real sense of foreboding as to the magical and
mystical forces that are to come to play within the book’s pages. Certainly if
I was a fan of this “Dynamite Entertainment” series, and had signed up ahead of
time with my local comic shop to reserve this particular issue I’d have been
forcefully arguing that I did not deserve the “super special subscription
variant” by Perez, even if it was “limited to initial orders only”.
Uninspiring cover art
aside this third part in the five-issue mini-series finally provides Mandrake
the Magician with some serious ‘screen time’ as Lee Falk’s creation faces his
most evil and dangerous foe, The Cobra. Jeff Parker makes an especially good
job of scripting this confrontation, embedding a memory of Flash Gordon’s
childhood into the mix, so having watched the hypnotist as a young boy, the
science fiction hero can assist him and distract the Cobra’s men in the
present. Mandrake’s role continues to grow throughout the issue as the
Portland-based writer uses him to explain the Cobra’s plans to Gordon, Dale
Arden and Zarkov. Indeed the Magician not only seems well-versed in the mysterious quantum
crystal-powered gateway to unknown worlds but also knows of Ming the Merciless
and what the ruthless tyrant of the planet Mongo will do once he gains access
to Earth.
Marc Laming’s illustrations continue to be an inconsistent affair, one minute perfectly capturing the raw dynamism of The Phantom blazing away with pistols upon horseback and the next filling a panel with a rather showy quantum energy formation whose pencilling looks amateurish at best. However I think colorist Jordan Boyd needs to take some responsibility for this rather average look to Laming’s layouts and inking, as the majority of his work seems to be disappointingly two-dimensional; a main colour with a single darker shade for shadowing.
What
is not to be missed though is the excellent special script-to-page process
presentation at the rear of this book, which takes the reader from Jeff Parker’s
script for pages two and three, through Marc Laming’s initial panel sketches
and ends with the lettering of Simon Bowland. This provides a fascinating
insight into the creation of a modern-day comic and sadly is probably the
highlight of the issue.
The regular cover art of "KINGS WATCH" No. 3 by Marc Laming |
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