DEADLY HANDS OF KUNG FU No. 1, July 2014 |
Admirers of the
exploits of Shang Chi, Black Jack Tarr and Leiko Wu from the Doug Moench and
Mike Zeck “Master Of Kung Fu” series by “Marvel Comics Group” have had little
to get excited about since the son of Fu Manchu’s title was cancelled in the
early Eighties with Issue One Hundred and Twenty Five. Somewhat recently
however the Huan province-born martial artist has enjoyed something of a
popularity revival with regular appearances in the New York City-based
publisher’s 2006 "Heroes For Hire" book and the “Marvel NOW!” “Avengers”
magazine.
Now though the
former British secret agent would seem to have finally been awarded his own
solo title once again. But unfortunately this first issue of “Deadly Hands of
Kung Fu” does little to capture the creative atmosphere of its predecessor; and
the reason why the original comic book was ranked sixth in the “Top Ten 1970’s
Marvels” by the website Comics Bulletin.
To begin with it
is extremely doubtful that many of the 19,315 fans who bought “The Place Of No
Mind” are terribly pleased that this new edition’s Eisner Award-winning cover
artist, Dave “The Reverend” Johnson is not responsible for drawing the actual
comic itself. Instead that job would appear to have gone to Tan Eng Huat and
sadly whilst the Malaysian illustrator is clearly a competent penciller, he is certainly
no Paul Gulacy or Gene Day. Indeed as a result of the former “Doom Patrol”
artist’s highly individual drawing style many readers probably had to go so far
as to skim through this book until they spotted someone referring to Shang Chi
by name, before they were certain the Chinese adventurer was actually the lead
character… And let us not even talk about Huat’s ghastly looking rendition of
Black Jack Tarr.
As far as this
comic’s narrative is concerned Mike Benson regrettably does little more than
provide an adequate read. Especially upsetting is the American television
writer’s tasteless ‘gimmicky’ start, which depicts the death of long-time
character Leiko Wu in such an abrupt and grisly manner, that the entire
sequence seems to be nothing more than a massively cheap waste of such an
important supporting cast member. Admittedly the “rising comic book” star’s
early embroilment of (Director) Black Jack Tarr and the villainous Razor Fist
so deep within the action-packed plot is very welcome. But overall not even the
brief cameos of fan favourites Crossbones, Captain America and The Tigers can
save this twenty-page initial instalment from being anything but a bitter disappointment.
Writer: Mike Benson, Pencils: Tan Eng Huat, Inks: Craig Yeung, and Colors: Jesus Aburtov |
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