DEADLY HANDS OF KUNG FU No. 4, October 2014 |
I must confess that I finished this particular
issue of “Deadly Hands of Kung Fu” still completely oblivious to the fact that
it actually marks the end of a four-issue mini-series. As a result I experienced
some rather mixed feelings about how the ‘Midnight Sun decapitates numerous
clan leaders’ storyline pans out. On the one hand I was still enjoying
the misconception that this was just the start of a regular Shang-Chi title
with hopefully a long run of issues ahead of it, but on the other, absolute
horror at what writer Mike Benson was doing to my beloved martial artist and
his supporting cast; as he was literally killing them.
Now I always felt that
“Master of Kung Fu” worked best when the stories were solidly set in the ‘real
world’ and the Son of Fu Manchu fought men of flesh and blood. Up until this
point, Benson’s writing has pretty much followed a similar vein; albeit he has
badly mishandled a number of notable characters. However “Out of the Past”
probably injects more ‘hocus pocus’ into the world of Shang-Chi than I have
ever read, including the extra-terrestrial nonsense Doug Moench conjured up for
the 1980 multi-issue serial “Warriors of the Golden Dawn”.
For a start the
American writer has Leiko Wu return from the dead having pulled herself out from
the Afterlife via a vast pool of blood, and imbues her with “the dark power of Mao Shan”;
presumably screenwriter’s short-hand for she can unfasten Shang-Chi’s manacles
with just a hand gesture and manifest energy ‘constructs’ straight out of a “Green
Lantern” comic. Next Benson stages a battle inside a travelling London double
decker bus which is straight out of the “Universal Pictures” 2001 film “The
Mummy Returns”. Before finally settling upon the notion that a good old-fashioned
fist-fight between Shang-Chi and his brother, Midnight Sun, might make a good
conclusion. To be fair all these plot threads coming together does generate a
seriously action-packed comic, with Kung Fu kicks and deadly throwing blades 'fizzing' all
over the place.
Unfortunately though this is all poorly illustrated by Tan Eng
Huat, whose pencils lack any real consistency from panel to panel, or even a solid
understanding of human anatomy for that matter. Jesus Aburtov’s colors don’t help
matters much either, with all the proceedings seemingly having a metallic shiny
edge to them even when the Malaysian artist is depicting events outside during
the night.
As a result it came as something of a relief when I did discover
this book was actually the end of just a mini-series, as it means Shang-Chi is now once again safe
from the warped imagination of Mike Benson and the artistic talents (such as
they are) of Tan Eng Huat, Craig Yeung (inks) and Jesus Aburton.
Writer: Mike Benson, Pencils: Tan Eng Huat, Inks: Craig Yeung, and Colors: Jesus Aburtov |
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